I steeled myself to go to see the Jonathan Glazer production of 'Zone of Interest' which portrays the life of KL Camp Kommandant Rudolf Höss and his family in their apparently idyllic house set against the walls of Auschwitz. Martin Amis wrote a similar story and Glazer decided to tell it with the actual people instead of the anonymity of the fictional version.
There's the bucolic and well-tended garden with trimmed grass, pretty flowers and a swimming pool slowly revealing that beyond the wall is the industrialised mass murder of the Auschwitz-Birkenau concentration camp. Höss is senior commander of the entire operation and even gets promoted back to Berlin to oversee a whole set of these camps. The family declines to follow, preferring their luxurious lifestyle outside of the Auschwitz camp.
The language is matter of fact as the family behaves typically with their assorted children, pet dog, numerous servants and workmen. They are largely insulated from the Konzentrationslager as their nearest neighbour, growing vines up the camp walls. The terrifying soundscape tells the story of what is within these walls. Although the movie is in German language, the stark sounds already tell too much. Pistolshot, echoing rifle shots, screams, and the interminable grinding, smoke, cries and metallic groans from the heavy machinery of industrial slaughter. Black smoke rising and ash coating the flowers causing the visiting mother to quietly depart overnight. Mercifully Glazer doesn't show us inside the active camp.
We see Höss rising to power, first a promotion to Berlin, then to take proud control of the mass extermination of Hungarian prisoners - another excited promotion relayed by phone from Berlin to his wife still at the house in Auschwitz.
In his Nuremburg Trial affidavit made on 5 April 1946, Höss stated:
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