rashbre central: red star over russia

Friday, 24 November 2017

red star over russia


Another exhibition I've visited recently is Red Star over Russia, which presents Russian visual culture from 1905-55. Much of the exhibition shocks, as it documents the reshaping of communist ideals and power in the wake of the 1917 Russian Revolution.

The selection on show is from a much larger collection originally curated by David King (1943-2016). It shows the propaganda via photographs, posters, journals and books to carry the Communist message across the vast land mass of Russia.

Look carefully into the photomontages and the workers can be seen to be more tired and worn than the purveyors of the posters would desire.

There's another David King book also called Red Star over Russia, which deals with the same subject matter, but adds greater commentary around the impacts of the Bolshevik seizure of power, of Lenin and Trotsky's supposition that they could create a workers' state.

We see later portrayals of peasants, workers and intellectuals. Of the Red Army and of the agitational propaganda trains with their unmerciful depiction of the overthrow of the Tsar. There's hardly any feel-good, nearly all of it has a poses a threat in its meaning.

A smaller exhibit shows some of the cropping or editing of pictures to remove those no longer in favour. On some its a simple photo-edit. On others there's a scissor cut. A few are clumsily removed with a knife.

What is also striking, even at this distance fro the hell, is the differences between the portrayals and the realities. Here's the vision:

And then there's a picture of a reality, in this case in Uralmashstroi, 1933.

The white apartment blocks were reserved for the foreign specialists, factory management and members of the party. I cropped the Russian slogan from above the first colourful picture. It said something like: Cleanse the party of class aliens and hostile elements, self-seekers, bureaucrats and morally decayed persons.

And that hardline undercurrent runs relentlessly through many of the graphics.

Today we see a Russian Confederation that covers one eighth of earth's inhabited land area spanning eleven time zones yet with three quarters of its 145 million population living in the European part of the country.

Their early weaponised graphics appear to have evolved into something that can nowadays embrace the social media.

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