#mixtape @ukmixtape wristband particles for #edfringe already sighted

A shower of wristband particles for Mixtape arrived at rashbre central. There's already a few tweets and Facebook pictures of people trying them out.

I'll also take these limited editions to the #BHF #L2B bike ride on Sunday, or at least as far as the Mason's Arms on Saturday to distribute around Team Nemo.

They'll also be available at the upcoming Mixtape Edinburgh Fringe Preview at Live Theatre, on 24 July, although if that is too long to wait, they'll soon show up on the Mixtape website.

The main Mixtape shows run all the way through Edinburgh Fringe at Underbelly (@FollowTheCow). Check P.141 of the #edfringe programme, or link here to get tickets.

And for the wristbands, what's the phrase...

Hurry, stocks are limited!

engineering the veil

The various political parties are banging on about purdah with regard to the eventual EU Yes/No vote.

Isn't it great to wheel out such an arcane term as purdah for the European Union decision? One that probably helps create a divide in the electorate based upon its very use? Oh, yes, and these same politicians are now referring to the electorate as 'The Public'.

Purdah in the current 'pre-election' meaning is an Edwardian term repurposed from its middle eastern meaning. There's multiple ironies in its use when discussing the European Union, not least that Edward VII was nicknamed the 'Uncle of Europe'.

The British public schoolboy corridors of power moved the word away from its use about the veil of female seclusion to instead being about government silence pre-election on matters of political controversy.

When I worked in Saudi Arabia a few years ago, purdah was ubiquitous. The woman all wore the black veils, there were separate zenana womens' areas in houses.

The local (Shwarmah) McDonalds had separate lines for men and women queuing. All the women or families had to sit behind a curtained or walled-off area in restaurants. The Starbucks logo was rebranded from the mermaid to the crown (I think this sinking mermaid logo is to becoming the new global branding) and famously the IKEA catalogues were reconstructed without showing women.

My nearby huge shopping mall (Saks of Fifth Avenue, Debenhams, M&S etc.) had its own separate floor for women - no men allowed. Religious police ensured that prayer times were upheld and the stores closed. In my experience, often these mutaween were accompanied two steps back by a soldier in a khaki uniform, just to ensure the message was understood.

Women couldn't drive cars, they had to sit in the back seats behind darkened windows. I still recognise the type of cars when I see them being used in London.

With an accustomed eye, one could spot that women would find ways to subtly accessorise the burqas they wore at all times in public. Then, for a while the rules slightly relaxed with even examples of non-black abayas being worn.

Since the change of monarch in the Kingdom this year, seen here in February with Prince Charles, the religious police have stepped it up again to reinforce the black abaya, nikab and gloves in public.

So when I hear purdah, I can't get my mind away from the Saudi version.

And here in Britain, why can't we just say 'pre-election period' or 'pre-referendum period'? Surely it can only be to confuse 'The Public'?

locating my number for #BHF London to Brighton, this Sunday

I had an email from another of our Team Nemo cyclists who is also doing the London to Brighton this weekend. It contained all kinds of helpful tips about things to take (sunblock AND waterproofs) and things to leave behind (large things)

I'll take some water and some snacks. I may treat myself to a banana before the start. I'm number 000145, which will be lost somewhere amongst the other 29999 or so riders.

I've put the wider flat pedals on to the carbon bike now. Removing the old pedals was harder than I expected because they had seized into place.

I had to get out the serious hex spanner set, and then additionally use an old seat post to get extra leverage to shift them.

I still get confused about the one on the left which has to be unscrewed backwards, but it also depends where you are standing! The Park Tools descriptions come in handy for this.

And I've only had enough time for a meagre 7 miles today. It'll be 54 miles at the weekend, plus the bits to and from the event.

real humans

It was probably to do with licensing, but the original Scandic-Noir version of Humans didn't get screened here in the UK.

I happened to watch it when I picked up a Canadian set of the DVD some time ago. The Canadian version is the original Swedish dialogue (or French) and English subtitles.

For a British audience the Swedish + subtitles would usually work well and grab a mid-evening audience on, say, BBC2 or Channel 4.

Instead, they are screening a UK-remake which I suspect is also destined for America. It is a well-filmed very similar storyline so far although the scene orders have been switched around.

I gather writers Sam Vincent and Jonathan Brackley from Spooks handled the adaptation, which keeps the parallel present day, but with robots. We also get known faces as some of the main roles.

The Scandinavian original starts with a woodland twisty road, a Volvo, lots of dark fir trees and a rainy, dark, dramatic incident. It's a quicker setup for one of the main early plot-lines.

The UK version starts with a scene similar to something from I, Robot, with lines of partially-clad pristine robots in a warehouse, but with a recognisable type of DIY shopping trolley.

The premise of these stories is no secret, with machines overtaking human processing speed and then being capable of human emulation.

'The singularity is near', is the premise, which goes back to the thoughts of von Neumann, Minsky and others in the 1950s, when the possibilities of clever artificial intelligence were first debated.

Ray Kurzweil attempted to plot the increase in AI ten years ago, predicting AI insect brain by around now, a mouse brain by 2020 and the human brain by around 2030.

I look back to the 'neats vs scruffies' arguments of artificial intelligence, where neat logic is all mathematically pure and scruffy is pragmatic.

Anything that starts with a human builder is going to have both neat and scruffy it (note the Swedish machine sports a 2012 USB socket), so we'll have to see how this version plays out in this 2.0 upgrade path of these hubots.

cloudy thoughts

I was reading a post a few days ago about what and where to save things into the Cloud. This idea that all of our data can be secured in a vast database in the sky.

Like many, I do use the Cloud in its various forms for some things. Much of my music collection is stashed away in it and some of my videos, too.

But it's all stuff that is commercially available and relocatable.

I still back up my own stuff to my own system. Now I realise I'm probably extreme compared with many who might just take an occasional hard drive copy of their work in progress.

Here at rashbre central we've got spinning RAID arrays with redundant disk drives, so that if one fails then everything still works. On the backup system if two disks fail then it still works.

My first disk drives many years ago were when two hard drives might have held 30 Megabytes of data. That's less than a CD's worth of MP3 music nowadays. I seem to remember it seemed vast at the time, on TRS80 LDOS.

I'm told that the 26 million books of the US Library of Congress are about 10 Terabytes of data, so we've come a long way.

Today, as I replace a defective drive in one of the rashbre central RAIDs, I notice that it is designated as capable of holding around 6 Terabytes of data. That'd be over half the Library of Congress then?

But not really, of course.

This particular RAID has 5 of these 6 Terabyte units which could be a theoretical 30 Terabytes. With the safety duplication etc, I get about 16 Terabytes of storage from it and currently use about 40%. Forget about world libraries, that's just rashbre central.

True that this is just a backup unit and there's another one like it with the Active data on it.

Rebuilding the 30 Terabyte RAID whilst it was still running took about 25 hours. It was still fully usable, although the various flashing lights on it could be a little unsettling.

It's why I still prefer to keep my own data on my own systems.

Putting it out to the cloud and then needing to do some sort of recovery could be interesting.

I've no idea how long it would take or whether there would be some distant help desk telling me that I've used the wrong software or something. A bit like they attempt to do sometimes when I say I'm using a Mac.

So yes I'll use cloud, but somewhat carefully.

living life at ease, with bicycle

I was checking the bike with its revised gears and temporary flat pedals today (Cranks Mallets).

I always keep close to base when I first take a bike out that I've adjusted.

Today I had the camera switched on, so come join this extract from my journey around the country lanes and some dedicated cycle track. I've added lightly edited Moody Blues soundtrack, which mysteriously came into my head and seemed to fit the relaxed sunshine.

puzzling traffic

I used to notice them frequently in Moscow, but now we seem to have a few on the London streets as well. Large black SUV cars with blue flashing lights.

I'm not talking about routine plain clothed police cars, which some how still give off an 'official' look, rather more the kind that have American style rectangular flashing lights and are from manufacturers less associated with police business in the UK. SUVs with names like Nissan Navara, for example, which was the one that passed me today.

In Moscow, there was a whole secondary market in fake police car lights to get through the maddening traffic. These so-called migalka were supposed to be for official purposes. I think the going rate to be backhander 'upgraded' to a VIP was about $10,000. The cars with these lights would then also use the wrong side of the road to charge down ongoing traffic in an attempt to get through jams.

Here, in London, I assume that the ones I've seen are official, although there's something that doesn't seem quite right. If it was embassy cars, you'd expect them to have diplomatic plates or at least CD stickers. If it's the Americans, the cars would be Chevrolets or something similar.

I know the police drive a wide variety of incognito vehicles, but there's usually a consistency to their extra lights. It makes these black vehicles stand out as different. I guess they are probably armed response or similar, but it is somehow puzzling.

Speaking of which:

Amanda Palmer at Union Chapel

Tuesday evening and along to Union Chapel, for an Amanda Palmer gig. Despite some attempt at pre-planning, I was late, missing the pre-gig build up and heading upstairs to the often less crowded part of the Chapel.

The show was just underway, although Amanda hadn't yet arrived on stage. This was to turn out to be a well-constructed three hour set, with Amanda and various friends on stage during different parts of the show. It opened with Perhaps Contraption as a riotous band filling the stage, rocking it to the rafters.

When the six-month pregnant Amanda appeared, she started unaccompanied with an Irish folk ballad, The Wind that Shakes the Barley, one that I don't remember hearing her sing before.

Then to work with the grand piano, mixing familiar songs from across her extremely varied catalogue. The show was also being beamed out live to patreon viewers and so there was a strange kind of twitter background as people offered song suggestions from far and wide.

About half way through, Caitlin Moran appeared for a reading and some banter with Amanda. Well-known writer Caitlin chatted humorously and with edge about their combined experiences.

Then more from Amanda, joined later on stage by Whitney Moses who dramatically noticed that Amanda was pregnant before joining her to cover Garfunkel and Oates song 'Pregnant women are smug'.

Three hours blasted past, with a warm and appreciative audience, including a finale with 'Leeds United', and creating the perfect excuse for the rest of her accomplices to rejoin the stage. A fun, raucous and entertaining evening.

in which my cycling creates a spotty dog walk

The realisation that the London to Brighton bike ride is only a couple of weeks away has prompted me to further pedalling action. Tonight, I've slightly creaky legs from cycling. I describe it as the 'Spotty Dog walk' but get mainly mystified stares.

To explain, I decided to find a copy of an ancient episode of The Woodentops, which features Spotty Dog (the biggest spotty dog you ever did see) doing this walk. It's about six minutes into the video, which is like a strange soothing balm from another planet.

Relax with a cup of tea and a Hobnob marine of a biscuit to dunk whilst marvelling at this excerpt from slow television.

Sopranos, the missing FIFA episode?

A fairly easy life-edit is to not bother to follow football/soccer.

I watch the occasional big game (in a half-hearted sort of way), but because I'm not in sales the rest is optional and leaves plenty of space for other things.

Recent events are re-inforcing my view of the racketeering of the whole industry, with the flow of bribes passing from one group of gangsters to the next in an orchestrated series of moves. I seem to remember writing a small item about the low-end of this back in 2006 - 'Bung' I recollect. This is altogether more industrial, with FIFA seemingly able to offer a mafia-like career progression for some of its more influential roles.

Learn the ropes as a bagman to the Don, before becoming his replacement. Set up a consigliere as operational fixer to manage decisions via a bunch of caporegime who handle the blocks of votes.

Sound familiar? It could be the Sopranos, or maybe it's the way international football is run nowadays?

The prior FIFA chief João Havelange and now Sepp Blatter appear to have presided over a global ring of money laundering, bribes and other corruption, mainly leveraged from the huge input financial streams of sponsors like Adidas, Sony, Visa, Coca-Cola and other household names.

As a quick check, I counted the recent list of FIFA indictments for some keywords...

• launder = 25 times.
• kickback = 26 times.
• bribe = 116 times.
• conspiracy/conspirator = 393 times
• criminal counts = 47

Approximately, and yet I can't help feeling that this is only a part of the picture.

Back in Havelange's day he officially resigned on grounds of ill health, about the same time that his collapsed ISL company was being investigated for paying CHF 185 million in 'personal commissions' related to the World Cup.

Being a Swiss company, this form of commercial bribe was still legal at the time. It was also prudent to have another company or two like Sicuretta to allegedly skim the odd $50m with Ricardo Teixeira, his then son-in-law, for a rainy day. It was also handy that the ISL proceedings were cut short, although the exchange of a suspected further CHF5.5m to grease this was never proven.

In The Sopranos, there's an early episode when in poker Tony wins access to a 'civilian' buddy's sportsware business. They quickly order everything on credit, take delivery, steal it to sell cheap and then crash the company. These mafia plot-lines are simplistic and low key compared with what appears to be possible on the next rung of the ladder.

So if FIFA knew about Havelange's approach back in 1998, who was his closest man...Yes, you've guessed it. Herr Blatter. That would be the man who was determined to clean up, but perhaps he was speaking colloquially. And after 17 years has just said so again, along with a great Scorsese-esque line: I forgive but I don't forget.

But most of this isn't new news and people like Andrew Jennings have been reporting it for years. I suppose the hit on the wallet to the US IRS might be the reason for the latest attention?

Going back to the nature of an organised -er- crime syndicate, there has to be structure and it has to be constructed in a way to create co-dependencies. Support me or you go down as well.

Of course, I'm referring to The Sopranos here, there'd never be anything like it in FIFA.

Would there?

a sticky continental moment with a bicycle

I swapped the tyres over on the carbon bike. I've moved from 23mm to 25mm, which doesn't sound much of a difference but rather increases the comfort at little expense to the rolling resistance. Yes, the garage was filled with the heady aroma of sticky chilli compound from the Continental Grand Prix SP4000S Mark II. Would it be possible to have a much longer name for a bike tyre?

If I was a better cyclist then maybe the wider profile of this tyre (more rubber in it so heavier) would slow me down, but at my level it just makes the ride smoother.

I've also done some cassette juggling, moving the SRAM Red 11x26 to the Fulcrum Zero wheels which still have 23mm tyres and putting the 25mm tyres on the DT Swiss with the climber's kit 11x32 gearing (Phew!) There...it's like having two bikes for the price of one and a quarter. Swap the wheels and it's a different bike.

I have to mention the brilliant VAR tyre levers, which I've been using. They are easily the best I've ever used and make a sometimes annoying job into something where worrying about the placement of the tyre logo on the rim starts to take precedence over the chore of pinging the tyre into place.

designed to find dreamers: Tomorrowland at the IMAX

I enjoy visiting Disney's parks. There's a sense of optimism that starts from the first moment. Some of it uses uplifting and familiar tunes, other parts are just the way the parks bustle joyfully, encouraging interactions with their happy inhabitants.

So I was intrigued to see Tomorrowland recently. It seemed like a reason to go to the BFI IMAX, on the roundabout by Waterloo.

And after a curious face-to-camera start with George Clooney, we soon dropped into the middle of the World Fair in 1960's New York.

I say that, but it was like wandering around in Disneyworld's Tomorrowland, parts of Epcot and the Magic Kingdom. The right backdrops, the right tunes. The Carousel of Progress playing "It's a great big beautiful tomorrow" and a trip in a water craft accompanied with "It's a small world after all".

I've noticed that Disney plays around with its opening logo credits and the version for this movie didn't have Cinderella's castle at all. Instead there was a series of other tall and often spiked buildings.

And kerpow, we were soon in and amongst them in a swirling and revolving multi dimensional world. We might have needed a vacuum-cleaner powered jet-pack to get there, but it all made sense in this story of an optimist and a pessimist.

Can we change the probability of outcomes? That is the question. Why revel in dystopian future outlooks, when a change of spirit could lead to a more attractive self-fulfilling prophesy?

We all know that old mantra 'every day in every way I am getting better and better...', so why make 'Death Planet IV: the revenge of Undead', and such similar narratives?

I don't generally watch the Marvel Comic type movies which rely upon goody vs baddy both vested with general purpose extensible super-powers. Tomorrowland has some of that going on, with a classic overlord portrayed by Hugh Laurie touting his British accent, idioms and sticky-up collars on his uniform.

There's plenty of gadgets, starting with the homely inventions of the 1960s and moving towards probability gauges that would go well in Hitch-hikers Guide to the Galaxy. Actually at one point a robot in a store is wearing a tee-shirt with a partially concealed "Don't Panic" motif.

There's a predictability about the main good versus evil theme playing out and proper female role for Britt Robertson, playing Casey Newton. There's an added sparkle of the robot girl Athena (played by Raffey Cassidy), who acted as a sort of recruiter for optimists.

Being a Disney movie, there's a worked out tidy conclusion, which also provides some circle of life type moments. There wasn't really any political engagement with the projected futures, nor any real 'get out of Dodge' solutions towards 'save the world'. Probably way too much to expect from this kind of story telling, which has more of a 'like to teach the world to sing' kind of ending.

My slight niggle was that the end didn't some how return to the theme park, although we can spot little elements of it (like Space Mountain on the left here) in the future.

So, sing along with the Carousel of Progress, or watch the teaser below:

So there's a great big beautiful tomorrow
Shining at the end of every day
There's a great big beautiful tomorrow
Just a dream away