remove annoying bell icon in mac

The little set of Mac icons at the top right of the screen have been progressively marching left as new functions decide they are important. One of the little irritations is a fairly pointless bell icon which appears greyed out and when clicked remains mute.

It's part of Chrome, which has taken to booting itself up when I start the computer. I've disabled the startup, but the little bell persists. I eventually found how to remove it by using a well-hidden feature of chrome called flags. Essentially, the sync'd notification flag has to be disabled. Yeah, right. Its a pull down menu buried in the midst of the flags page.

Someone else explained that in Chrome 36(!) the flag bell can be removed ny using a proper menu sequence. I've reproduced it below. Somehow this doesn't fit the 'it just works' agenda.

backing up Lightroom images using Chronosync

The test transfer of files to Lightroom seems to be working well. I need to be sure whether Lightroom can handle a large volume of images and so far it is standing up pretty well.

So far I've transferred around 50,000 images from Aperture 3.5.1 to Lightroom 5.6 using the Aperture Exporter utility, but I've still several more years of Aperture libraries to go. The whole process is hands-off so it simply burbles away in the background.

Something that I've noticed is the different backup regime with Lightroom, which will back up its catalogue, but doesn't seem to do the same for the actual images.

I anyway feel the need to back up the entire Lightroom folder system to somewhere else, and on this occasion to place it outside of Apple's Time Machine. I'm using Chronosync for the purpose, copying from the thunderbolt RAID disk connected to the iMac, to a separate LAN-attached RAID system. This should ideally give me a complete copy of the folder structure in Lightroom, purely as a safety copy.

Apple is usually quite good at making systems management functions like backup transparent, but for what will amount to a terabyte of data, I really want to use something that will take a managed safe copy to a different device and also provide incremental backup of changes.

Chronosync seems to fit the bill and is also schedulable, so I can get it to take a look at the photo library every day and just backup the changes.

My test sync of 200 Gigabytes took around 4 hours across the LAN - which is 50 Gb per hour. As I was elsewhere for the whole time it was running, I didn't really notice, and the next backup to the same destination only took about 2 minutes, with only 1.25Gb of incremental changes.

If this works it could be a pretty good solution. I'm still using Aperture as my main image workflow at the moment, but am quite pleased at the progress with this alternative.

hotel development opportunity

I've been spending a few days away in hotels, but it looks like there could be new ones on the scene too, judging from this interesting example of optimism.

rearranging the pictures

I have to decide whether to re-arrange the pictures.

Apple have said that the pretty good Aperture software that I use for storing my snapped images is to be 'stabilised', so I have to figure out the next step.

I suppose I could just wait for the new Apple Photos application to see whether that will do the trick, but I'm wary that it will take a few goes before it is really quite right. Then there's the collection of 'plug-ins' that I've accumulated to help make it quick to change the pictures or to tag them.

Most of the stuff I have at the moment is also compatible with the Adobe Lightroom, and I notice I have a copy because of my Adobe subscription. I'm tempted to try it out.

I've also just found a further utility called Aperture Exporter, which can take a whole Aperture library and convert it back into a form suitable of use with Lightroom. As I've got 10s of thousands of pictures, I'll need to mull this for a while, although I'm now running the Aperture Extractor on 2014 (around 7000 pictures) to see what happens when I test import it to Lightroom.

I'm away for a few days now, so I'll find out how well it works when I get back.

Using the Olympus Stylus 1

I've struggled to find the right balance between usability and weight with cameras when on holiday. My big DSLRs are really too big to be convenient for much of the time. Aside from taking much backpack/luggage space, they can be heavy, rattly and sometimes draw too much attention.

This year I took my little Olympus Stylus 1 camera to Norway and I've been very pleased with the experience. I've already had it a while, so was fairly familiar with its use. It is the size of a point and shoot and has a fixed zoom lens, from the equivalent of 28-300mm with f2.8 aperture.

Of course, it won't create the depth of field of a 35mm camera, but it still has plenty of controls as well as the basic 'auto' mode. The camera has a high quality feel and I really like the control wheel around the lens, which can either be used for manual focus when it is smooth to operate or for other controls such as aperture, when it is clicky to turn. It is very reminiscent of the old ring on an OM-1/OM-2 type film camera and a great asset to handling. I'd quite like to see Olympus introduce it on their next generation of OM-D E cameras.

Somehow the controls are about right on this camera. Its easy enough to put into unfussy automatic mode, but has plenty of fairly analog-type adjustments right at hand. Others have said the menus are complicated, but I've found that by using the switches and dials this feels much more like a camera than many of the highly computerised and menu dependent DLSRs.

In a way, the Olympus's OM-D is my camera for comparison with the Stylus. The OM-D is really a category or two 'higher' in functionality, but actually I'm surprised how good the regular pictures are from the little Stylus. It's clear that Olympus took many of the design cues from their other more fancy modern digital cameras.

Like a proper SLR, it also has a good quality electronic viewfinder as well as a swivelling back finder. I somehow still prefer the viewfinder way of taking pictures in most circumstances, compared to holding a camera at arms length and watching the mini TV screen on the back. Exceptions to that are maybe concerts or crowds, when an adjustable back screen is quite useful.

I took a picture of the Stylus next to one of my old-school 35mm film Olympus OMs too. The Stylus shape is somehow reminiscent of the OM-4, although it is quite a lot smaller. Compared with a Canon 5D DSLR, it is positively tiny, yet possible to get some pretty snaps.


Geraingerfjord

Ålesund

er, penguins?

something dramatic

Flam waterfront
I'm about to go away again for a few days. I'll only take the Stylus and see what it can do.

Shakespeare in Love

Great to see 'Shakespeare in Love', along St Martins Lane.

This is the stage adaptation of what started as a movie from Tom Stoppard.

Lee Hall, who wrote Billy Elliott, penned this adaptation and its a cracking evening at the theatre.

They've given the stage at the Noel Coward Theatre a superb three-tier treatment recreating a kind of 'Globe meets Rose' Elizabethan look. The cast is huge, more than 20 players, many with cameo roles as well as ensemble playing and there's always lively things both in the action and cast eavesdropping from the sometimes reversed stage and from the galleries.

The rom-com plot is about how Shakespeare overcomes writer's block assisted by his new found muse Viola de Lesseps and with help from his sometimes rival Kit Marlowe. There's plenty of in-joke Shakespeare references, with many famous lines dropped into new phrases. 'Out damn Spot' springs to mind, but there are many others. A slightly pantomime reference to being delayed at Putney Bridge also got a knowing Londoner laugh (the bridge is closed for road-works at the moment, creating some interesting west London snarl-ups).

The production is lavish, with many dramatically-lit tableau scenes. Queen Elizabeth I is accompanied by an excellent Lord Chancellor and there's a suitably authentic band with lutes, mandolins and a hurdy-gurdy to accompany the action.

Both Tom Bateman as Shakespeare and Lucy Briggs-Owen as Viola play their parts well, balanced with the rest of a strong cast.

A thoroughly good night out and a great choice for the West End. It might be knowingly a bit 'Shakespeare-lite' but it has swagger and a full Romeo and Juliet style storyline interwoven with the humour.

objects may be larger than they appear

After Pat's comment from yesterday's post, I thought I'd better post my attempt to snap the supermoon.

I didn't see the two space stations, nor the meter showers, although I'm reminded of that Billy Bragg lyric:

I saw two shooting stars last night; I wished on them, but they were only satellites. Is it wrong to wish on space hardware? I wish, I wish, I wish you'd care...

The fancy thing to do is take that sort of moon picture with a silhouette or famous building in the foreground.

Although I'd been seeing the moon from travelling around London earlier in the day, I only remembered late at night and used my little Olympus Stylus camera to handhold the snap from the front door.

Still, I wonder what happens if I add it my earlier picture of a well-known landmark?

very wet on a bike

Back cycling today, initially in sunshine, but then the weather suddenly nosedived into car-wash level rain, as if someone had flicked a storm switch.

I suppose the intermittent and rapidly changing dark clouds should have been a give-away, but it is already back to sunshine again now, and somehow more reminiscent of April's winds than what is supposed to be the middle of summer.

I'm not sure that tonight's special supermoon is going to be very visible, let alone the shooting star effects from the Perseids.

daisy, daisy

A small discovery yesterday.

My most recently acquired PC running Windows 8.1 has been sluggish ever since I've had it. In fairness, I bought it in the trolley with the groceries and it's been on light duties so I've never really bothered to sort it out. Finally frustrated that it was so slow, I wondered what would happen if I deleted Norton 360, which is the firewall and anti-virus protection. It was up for renewal in any case.

Apart from the trauma of trying to remove Norton, the effect has been most encouraging. Subsequently, the machine has sped up dramatically, rebooting and loading programs much faster than before. Of course, none of the scientific tests and benchmarks show this, but I'll use Windows Defender now instead of Norton on that machine.

There were a few extra wrinkles to removing Norton. Simply uninstalling it didn't work. It tried to re-install itself the next time I rebooted, ironically in a manner similar to the way a virus works.

Next, I tried switching off the licence. That worked partially, although it still reinstalled itself and then when I tried to disable it, it relicenced itself using a spare licence from my Norton user account.

I searched to I find out about the Norton Extraction Tool, which does 'completely' remove Norton products. I used this and it seems to have worked, although a side effect of Norton's installation was to disable the Windows Defender product. I had to use another thing called the Windows Action Centre to re-enable Defender, but it does all seem to be working now.

I don't consider most of this to be 'friendly' behaviours for a system, and I seriously wonder how many people have the knowledge to work around all of these systems. Hardly a simple process.

where have all the flowers gone?

Last time my passport was up for renewal, I scrapped having two in parallel.

I had two because it was the only way to operate with certain countries. That and the time it takes to get visas. Even with two, I can remember having my passport couriered to the airport for one trip.

Yesterday's poppies, awful world news and a current TV drama reminded me of this. I used to travel to the middle east a fair amount, which was one of the reasons for needing the duplication. Israel and some Arab country visa stamps don't mix.

When I used to travel to Tel Aviv regularly, the edginess started from the time I entered Heathrow. I'd get challenged and intensively interviewed by Israeli security staff. My baggage would inevitably be hand searched. As a suited businessman I'm not sure how I looked extra suspicious? They often used little swabs to check my belongings for traces of misdemeanours. I'd have to switch on my PC and show them something exactly specific to my visit. I'd carry a letter showing who I'd be visiting as well. It was supposed to be good security but however polite I was, it always seemed terse and threatening. Often, Ben Gurion airport for departure would create a similar return experience.

In some Arab countries the arrival time would also be stressful. I might find myself directed into a specific line for passport, but then be held back to let an entire plane of passengers from somewhere else be processed ahead of me. Or there was that place where you had to know to get the little entry sticky stamps from a special counter before proceeding to the passport line - or else go back and do it all over again.

Probably these experiences have shaped how I've got used to being able to go into a sort of trance state in many airports, whilst always moving as far 'forward' as possible.

That TV series I mentioned is the complex 'The Honourable Woman'. The lead character is played by a very Euro-English sounding Maggie Gyllenhall. Through series-link I'm only at episode 4 and noticed the scenes portraying Israel's border requiring the big gates and guns. The same episode featured a dinner-table argument about Gaza, which ended with a punch-up.

Drama reflective of the terrible conflicts in the whole zone, writ large in current news broadcasts. So much for the exchange of land for peace. At a humanitarian level it's terrible. At a political level it's an intractable endless destructive cycle.

Another example of trance, this time with most of the world quietly wringing its hands.

Blood swept lands and seas of red

I was working along the South Bank today, but close enough to the Tower of London to cross Tower Bridge to take a look at the newly opened World War I Commemoration in the moat outside the Tower.

It is an installation with around 190,000 ceramic poppies so far and many more are being added between now and November 11, to reach the total such that there is one poppy for every British and Commonwealth soldier killed in the First World War.

Its already a sea of red, and yet it's probably only about one quarter complete at this time.

Coincidentally, I'd recently found some of the family history of my namesake relative from World War I. He was already in the Army when war was declared and had reached the rank of Lance Corporal.

As part of the British Expeditionary Forces he set sail for Le Havre on 14 August (ten days after Britain's entry to the war) and his 1st Battalion made their way along the Marne to Aisne. That's where one of the earliest bitter trench warfare battles took place at Chemin des Dames. It appeared as quiet fields on this year's Tour de France.

Not so quiet when he was killed there aged 19 in the 6th week of the war.

One of the Missing, his name is on a memorial around 200km to the north of the battlefield, in Ypres, Belgium.

Norwegian Wood moment

Yes, I'm back in London.

Like in the Lennon song, the Norwegian wood around me now is mainly pine cladding. Either that or IKEA furniture from Sweden which has been sourced from Norwegian medium density fibreboard, although, nowadays even that might come from China instead of the Nordics.

Down south, it is harder to locate direct Norwegian influences. Okay, the big tree in Traf. Square at Christmas. Maybe a very occasional Statoil filling station. Up across the border in Scotland it's different, because of all the energy sector influenced companies. Oil, gas, petrol, wind and wave farms. The names of some of the companies flash up on the rolling adverts on the Norwegian ferries, but most are not household names to the average Brit.

The lovely-to-visit Norway has a very high (a.k.a. expensive) standard of living. I've previously mentioned that a medium sized beer (less than a pint) costs about £10 and the Big Mac Index shows Norway at around $8 for the burger. Actually, we were sitting in a non-fancy cafe and I noticed the price for a basic burger was around 97Kr, which is more like £9 or about US$15. The Norwegians say they don't notice the high prices, I guess that's because they earn at a commensurate rate. During our time in Norway I suppose we just got used to knowing what to expect things to cost, suspending any 'convert to sterling' mindset. And unlike trips to the USA, I didn't need to buy an extra luggage to bring back all the goodies at the end of the trip.

The high standard of living relies upon Norway's financial reserves from exploitation of natural resources, particularly North Sea oil. Norway made a decision back in the 1960s to exert sovereign rights over the North Sea and thus captured the biggest share of the now depleted North Sea oil. It gave the country a chance to make its own path and to slimly vote to not join the European Union.

It's done pretty well, prosperously moving from farming and fisheries to the energy sector and latterly moving oil production to the Norwegian and Barents Seas.

I used to work occasionally around Stavanger, which is the on-shore oil capital of Norway, a bit like Aberdeen is in Scotland. I can't help wondering, though, whether Norway's energy and EU decision and its implications were made at a much more favourable time than Scotland now thinking about trying to go it alone? As an example Norway set up what is now a massive state pension fund to tap the surplus energy wealth against future outcomes.

Although it won't be all about energy in the Scottish debate, the economics will undoubtedly form a big part of the discussion, like tonight on the telly. I can't help wondering how many organisations have at least hit the 'pause' button over Scotland, and maybe are poised on the 'Eject' until after the vote plays out?

And I know, today's post has become a bit of a ramble through the woods, but still not the long and winding road filled with questionable statistics as we watch Scotland decide its future.