Christmas Greetings

A quick snap of the tree, now that its been trimmed.

Most of the decorations are ones acquired on various trips and visits, so the little German soldier is from a snowy Christmas spent in Rothenburg ob der Tauber and the little sign behind it says 'Grand Canyon' from a visit about ten years ago.

Behind that (but tastefully blurred in the photo) is a bauble painted in the Native American style from Puget Sound. We picked it up in the Gaslight district of Vancouver.

...But enough. There's mince pies to be eaten.

Festive Seasonal Greetings.

last minute preparations?

There were still quite a few shoppers out today, seemlingly buying 'filler-in' items rather than major Christmas purchases.

We'd had a late brunch at Mike's in Notting Hill, before heading to the nearby Electric Cinema to see an afternoon movie. The cinema was filled with the aroma of mulled wine which was being served in half pint beer mugs, complete with mince pies.



Of course the film was suitably Christmassy too, "It's a Wonderful Life" back on the Silver Screen.

Then outside into the still bustling Portobello Market before a crimson sunset in preparation for Santa's flightpath.

lights twinkle

Now that most of the lights have moved from bulbs to the little LEDs, there's less things to go wrong than previously.

The biggest area to have to negotiate is the 'prevailing colour along our road'.

I already knew the solar powered blue lights were no-no, but I wasn't sure which kind of white light this year.

It turns out its 'warm white' rather than 'white' and means the houses around all sort of link together with the same theme.

I will sneak the multi-coloured flashing set into an upstairs room later.

And try to liberate and incorporate the multi coloured light up snow man.

the right shoes?

Early for a meeting, I decided to grab a late breakfast toast and a cup of coffee. The coffee bar was mainly empty except for two or three people sitting along the walls chugging through emails on their computers.

I took a window seat and concentrated on the toast as I gradually became more aware of my surroundings. Two people arrived at a nearby table. Well-dressed casual. The jacket of one one them was placed on the side, inside out so a large 'Moncler' label was prominent.

This, apparently, was the interviewer.

The other person started to explain their plans and aspirations. It was clearly a job-seeking session.

I tuned out and back to my coffee.

Until I noticed.

The fashionable Moncler one conducting the interview was wearing different shoes. They were the same brown colour but had different patterning.

I wondered if the interviewee had noticed. Or whether the session's intensity meant he would miss this detail.

This wasn't like fashionable different socks.

They say in interviews its good to think of the interviewer in a levelling situation. This one could be easy.

Having to get dressed in the dark.

The toast and coffee was great.

an on y mous

Some of us have just had a bit of a do and although the main photos won't make it to the internet, this one has the necessary anonymity.

Of course, it's the rectangular sunglasses that do it.

A simple design that can more or less guarantee that the parties at this time of the year won't be giving away more photographic evidence than they should.

how to rank a london twit

I was over at diamond geezer's blog when I noticed his post about twitter.

It provided links to a site that lists various charts about twitterers and naturally I couldn't resist looking at rashbre which turns out to be in the first 150 twitterers in London. I can also check out the rashbre twitter serial number here

Now, after 1,777 days I've done over 2,300 tweets.

At 45 seconds per tweet that would be circa 28 hours of tweeting.

I'd better not add up the blog time.

lights, fir tree, action?

Our tree for Christmas is currently awaiting preparation. I need to find the tree stand and the lights. The latter will probably require another visit to the garden centre although the newer LED based lights have a higher chance that they will still work.

At the moment the tree is still in that net wrapping and may stay that way until the weekend.

There's still uncharacteristically few lights in houses around the area too. Maybe this weekend is the main lighting up time?

Liberty print

I mentioned we'd been in Liberty's shop for a bite to eat before the show. I thought it worth a further reference to this mock Tudor shop in Argyll Place.

The best way to show it is with the two pictures, from 1924 and another from now, that together illustrate that time may have moved along, but that the store appears somewhat unruffled by the busy area around it.

Parts inside are modernised, but other areas are still of another time, with hand written scrolled writing for the cashier station and a small lift that feels like one is travelling in a piece of oak furniture.

Sure, we were on the third floor among the fancy clothes with their untouchable price tags, the Alexander McQueen and Lady Ga-Ga scarves (between £125-£350) but nearby you could still buy a button, or a neatly folded off-cut of a Liberty print.

And plenty of people were.

its beginning to look a lot

Monday evening and we were meeting some friends at the Palladium, which is very central for the West End.

Across the road is the half-timbered splendour of the shop Liberty, with its upstairs cafe area, so we dropped in there first for a Caesar salad before heading into the venue.

Our friends were on top form and spotted us instantly as we climbed the stairs towards the Upper Circle (or whatever it's called). Then a few fizzy drinks before we headed in for the 'one night only' entertainment.

I couldn't help noticing the proper march towards Christmas around the area with the slightly brasher than normal Regent's Street and further afield the ever tasteful Sloane Street and Sloane Square.

Polaroids in a clothes store

Passing Urban Outfitters when I spotted a few books sprinkled around the place. There were the usual SAS Survival Guides to this and that and Spaceship repair manuals, all as suggested gifts for Christmas.

But what caught my eye was a Taschen book about Polaroids. Around £8. A quick flip through a copy and I was sold.

Nowadays it'll be creating similar effects with a phone camera, but looking through the hundreds of pictures in this book, almost every one was a little work of art.

Some were artfully taken to begin with and others have the after effects of Polaroid's magical processing. It's a great book to browse through and also a fine source of inspiration. Properly bound, printed on lovely paper and with over 300 pages of fine pictures. It's great to have found a real bargain - and bizarrely its a photo book in a clothes shop.

Update: I got emailed after this post - about the wonderful polanoid.net (note spelling) web site which has around 300,000 Polaroids loaded and a 'picture of the day' slot.

no seaside this week

This weekend I don't need to think about re-packing various bags for the next week of travel. It will be the first week in a month where I've not been travelling.

The view in the picture is approximately the one from my hotel when I've been away in the week - although this is actually from me walking closer to the pier to see the view from sea-level.

I've come to appreciate the sunrises and sunsets, the various rapidly changing weather and the speed at which the tides come in on this part of the coastline.

I'll still need to visit, but the next meetings are being scheduled for London instead. I'm sort of missing this deserted wintry seaside already.

Canon .MXF into Final Cut Pro X, via Foxreal

Today I've been editing video for several hours.

It was a fairly simple edit, but of a large amount of raw material, so I decided to try Final Cut Pro X, instead my more usual Final Cut Studio. FCPX is supposed to herald the modern digital workflow for video.

And I was using a completely digital workflow, using CF based files direct from the camcorder in a professional format (4:2:2). I was therefore somewhat surprised to see that FCPX doesn't seem to support the current generation Canon format (.MXF).

I could Log the recording into the older FCP Studio version, but to work with FCPX I had to use another circa £35 program (Foxreal) to import the files. I had to transcode everything from .MXF to ProRes 422.

I felt it defeated the object of the claimed digital workflow if the latest software didn't work with one of the main digital camcorder formats.

My edit is complete now and the final version is currently outputting to disk before I convert it to DVD, hence this time to muse on the exercise. I'll probably revert to FCP Studio for my next edits, and wait for FCPX to acquire some more functionality.