rashbre central: cd
Showing posts with label cd. Show all posts
Showing posts with label cd. Show all posts

Saturday, 22 January 2011

the impossible girl - kim boekbinder

kim boekbinder impossible girl
I first ran into Kim Boekbinder's music when she & her sister Zoe were singing a song with Amanda Palmer that subsequently appeared on the "Who Killed" album.

Then Kim produced daily a string of 31 different lyrics during January 2009, which became a kind of spur for me during February 2010 to have a bash at the February Album Writing Month.

In Kim's case the writing process was shared via her blog as she managed to put up a treatment for each song pretty much on the day. From day one it was interesting and the lyrics had twists, like the watery predicament in the love-struck "Underwater" and the quirkyness of the Hell's Diner.

Later came a more lengthy project to produce a full album, but by using the Web as a funding source and some of us pitched in a few dollars of encouragement to see what wonders would emerge.

And the songs started appearing, far from daily, but this time in blocks of around three, spread over a longer period during 2010.

Then Lo, by mid December in America - or with postal delays to the UK - by mid January, the sparkly album has appeared in a shower of fairy dust small pink glittery stars and hearts.

"Tell the world!" said the little note included, and yes, that's what I'm doing.

From the first claps in the intro to track one, to the shimmery last chords of the poppy Tinkerbell, it's an enjoyable album (My theory is there's an earlier ending to the main album, by the way).

What I also like is that it really plays through as an album with a few tracks that directly link and sections of a narrative that lace through most of the album.

There's also some very hook-based tunes included yet a sparseness in places that is very reminiscent of the earlier songwriting. A range of musical styles, with a core consistency that holds it all together.

I also really like the stripped down style which keeps direct personality that can sometimes gets glossed over in other peoples' productions. The lyrics are also smart and the twists that were apparent in the "31" still apply in a Sex, Drugs and Nuclear Physics with maybe a quantum fiddle kind of way.

So even if she does show up with 23 friends in the middle of the night, I'll know the irony of being captured by someone impossible.
kim b

Monday, 17 January 2011

Anna Calvi


Anna Calvi - Jezebel (Live)
I can understand the feedback from someone I attended a gig with recently who said "I'm not sure what I've just seen!" at the end of it. It's a bit like that for me with Anna Calvi.

I've been listening to her album for a couple of weeks and it's a classily engineered production with quite a bit of space in the mix. Guitar sounds that evoke a kind of Jeff Buckley live session and some jagged lyrics with occasional reminders of something that would fit within a Twin Peaks soundtrack.

The reason I think I'm struggling is because I listen for a while and then feel the need to flip to something slightly more conventional - Paloma Faith or Imelda May. And I don't think I'm easily phased by new things. This is just somehow isn't quite clicking.

On paper it ticks the boxes. Singer/songwriter. Interesting background. Musicality. Performance skills. I'm just not quite engaging with the performance. I understand its supposed to be challenging, that Brian Eno has helped out, that its supposed to push some boundaries. Normally these would all be pluses for me. But I'm just not sure with this one.

I've added it to the iPod now, so I can listen in the car.

The trouble is, Paloma and PJ are waiting.