rashbre central

Wednesday, 23 April 2025

Pearl- Draft Cover Mk 2


 

Testing cover ideas for Pearl. I've finally gor the tailcode right, but it took some effort. FX-P. Here's another bit from the Work in Progress...

First Sight

 

RAF Scampton, February 4, 1944

Dawn, ground visibility: 20 metres

Group Captain Wakefield stepped outside his office.

The fog was even worse that morning. It clung low, thick as wool, swallowing sound before it travelled. Someone joked in the mess: “Even the sun’s not reporting for duty.”

But on the runway, in the cold watch of morning, he stood with his coat buttoned high, collar turned up, gloves held in one hand.

He hadn’t intended to be there. But he couldn’t sleep. Too many letters unfinished. Too many names without forms yet.

He heard the engines first.

Not the rumble of Merlins—they had their own rhythm. Familiar. This was smoother. Lower. Almost beneath hearing. Like a breath inhaled and held.

At first, he saw nothing. Just the fog.

Then—

A silhouette began to form. Low. Wide. Lancaster profile—but wrong.

           The wings: too smooth.

           The belly: sleeker than standard.

           The paint: no shine, no markings.

           No serial. No name. Just the tailcode:

FX-P

She coasted down the runway in perfect silence. No screech. No rattle. No brake hiss. As if the air itself moved aside to let her pass. One ground crewman crossed himself. Another whispered: “She’s too quiet.”

Wakefield narrowed his eyes. The fog drifted, parting in swirls around her frame—not lifted by wind, but displaced.

He stepped closer. From the side, he could see the bomb bay—closed, but flush to the fuselage like a sealed scar.

No rivets.

No panel seams.

No visible controls.

Just the spiral. Barely visible. Etched like a watermark near the nose.

The ladder dropped. The hatch opened.

No one stepped out.

Not yet.

Behind him, his adjutant spoke, voice just above a whisper.

“She doesn’t look built.”

Wakefield shook his head.

“She doesn’t look… tired.

That was the strangest thing. Every other aircraft on the base bore the wear of war—soot, scratches, history in their skin.

But this one— She looked like she’d just arrived from a place where time was still clean.

A breeze moved through the airfield then. And for just a second, the fog pulled back enough to see her whole—

FX-P.

Dark as mourning. Silent as breath. Waiting, not to take off…

…but to begin something different.


Tuesday, 22 April 2025

Pearl - a draft cover and a context setting excerpt.



I've been working on the Pearl novel for longer than declared and I think I have around 150 pages to go. Time for a draft cover and some early feedback from ARC readers.

Here's another snippet from the opening section.


The Shape of What’s Coming

 

First the flak: predictable, vertical punctuation—the Wagnerian boom-boom of mid-century certainty.

Like Victorian calligraphy completing the day’s logbook in smoke and shrapnel.

Then the maps: still legible, still loyal to topography.

Targets. Grids. Borders. Logic.

All of it—before V-2 rockets

September, 1944. A month like a broken gear.

A V-2 rocket fell on Charentonneau, a Parisian suburb too sleepy for apocalypse.

Then another—Chiswick, West London. Three dead. Seventeen injured.

No warning. No siren. Just a sudden hole in the neighbourhood’s collective now.

The V-2 didn’t buzz like its pub-crawling little brother, the V-1 doodlebug.

No slow grind of dread. No audible clue.

No music.

It simply was.

It arrived before it was possible to hear it.

It broke chronology.

A bomb that didn’t just explode—it unravelled cause and effect, left them flapping in the wind like blackout curtains in a pressure wave.

“It came from above,” someone said.

“But it felt like it came from the wrong direction.”

Somewhere in Kent, a flight officer scribbled in the margin of a telemetry sheet:

“If it lands before we hear it, does that mean it already happened?”

The analysts asked for new physics.

The generals asked for new doctrines.

And somewhere behind both, Pearl—always Pearl—was quietly reclassified.

No longer tactical. No longer strategic.

Temporal.

She would not intercept the rockets.

She would not predict them.

She would learn to remember them in reverse.

Roughly 1,400 V-2 rockets hit London between September ’44 and March ’45.

Another 1,600 or so found Antwerp, Liège, and the rest of the bloodied map.

Of the ones aimed at London:

           1,358 impacted.

           The rest drifted, misfired, or vanished into unknowable elsewhere.

           Death toll: 2,754 souls.

           Injured: over 6,500.

           Payload: one ton of Amatol, falling faster than sound, faster than belief.

           Defense: none.

No sirens. No interception. No theatre. Just arrival.

~ ~ ~

Flight Profile:

It begins in smoke and prayer.

Absurdly vertical launch, defiant of gravity, guilt, gods.

For the first few seconds: a fire-drenched roar. Enough to rattle silverware, shatter theology.

Then—pitch over.

Not much. A few degrees. Just enough to say I am not ascending. I am choosing.

At altitude—engine cuts. Silence.

From here on out, it’s pure mathematics. Newton’s ghost at the controls.

A parabola. A falling idea.

No steering, no guidance, no regret. Just ballistics and will.

And the nose dips. And the arc curves. And somewhere beneath it, history looks up too late.

Top speed: 5,760 km/h.

Time to impact: five minutes.

Plenty of time to be too late.

No sound.

No siren.

Just crater.

 

And after: dust. Smoke.

The sound finally arrives, a crude joke told backward.

Then the crater fills with questions.

A mother without a kitchen. A letter that never got posted. A wristwatch embedded in a wall.

~ ~ ~

 

Psychologically?

The V-2 was a weapon from the future, delivered by a regime that couldn’t imagine one.

It rose like a prayer.

It fell like a verdict.

It didn’t target soldiers. It targeted expectation.

It rewrote the social contract: no more shelter, no more warning, no more orderly timelines.

The bomb fell first. The fear arrived second.

And sound came last, like a reluctant narrator.

Technically?

           Altitude: ~90 km

           Range: ~320 km

           Guidance: Inertial

           Fuel: Ethanol, liquid oxygen

           Payload: ~1 ton of Amatol, plus whatever ideology could be packed into silence

But the numbers are irrelevant.

What matters is the arc. Gravity's rainbow.

It connected Wernher von Braun’s laboratory to a child’s bedroom in Bethnal Green, in one continuous sentence of math turned murder.

The V-2 was not just a weapon.

It was a gesture.

A curve in spacetime.

An equation you could feel in your bones.

Proof that gravity could be militarized.

And Pearl—quiet, listening—took it in.

Not as a threat.

As a lesson.

The future doesn’t arrive.

It falls.

And Pearl was built to catch it.



Thursday, 17 April 2025

Pearl: Test snippet

 


Prequel: The Hour of No Return

 

RAF Station. Lincolnshire. Winter, 1944.
Time: early. Weather: as always.

The mud was permanent. It didn’t freeze. It didn’t dry. It just changed flavour—soupy, clotted, streaked with petrol or the blood from a ruptured knuckle. It soaked into everything: boots, bedding, mess trays, the corners of your dreams.

The fog clung low like guilt.


And the cold—it wasn’t just temperature. It was a decision made by the earth and sky to withhold comfort until further notice. Even the fires in the common room burned in grayscale.

~ ~ ~

Daily routine:

·       Wake before light.

·       Briefing in a room that smelled of pencil lead, mildew, and the memory of shouting.

·       Maps laid out like surgical diagrams.

·       Targets circled with a calm that belied what those circles meant.

 

“Leipzig again.”

“How many went last night?”

“We’ll find out when they don’t return.”

 

They flew nightly.

·       If they were lucky, the enemy missed.

·       If they were less lucky, the flak found them.

·    If they were unlucky enough, they came back mostly intact—but without a piece of themselves they could name.

 

Some started talking to their planes. Not metaphor. Actual conversations.

 

One pilot kissed the fuselage before each mission. Another pressed his ear to the wingtip and swore he could hear the last crew screaming very faintly.

 

The base kept its own rhythm. The mechanics slept in shifts. The radio officers stopped asking for names. The mail came late. Always. Usually to the wrong person. No one corrected it. Sometimes they opened letters addressed to men already vaporised. Sometimes they read them aloud.

 

Sometimes they laughed.

 

The chapel stayed full, but no one prayed. They just sat; heads bowed—not in reverence. In readiness.

They called it fatigue.


They called it strain.

They called it nerves.

But it wasn’t any of those things. It was the slow unreality of survival.

Coming back, night after night, when your name should’ve already been painted over on the nose cone. Eating stew next to a man who lost both legs three missions from now. Hearing your voice crack on the comms—not from fear, but because you recognised the voice of the enemy gunner as a boy you’d once played football with in a different version of the world.

Sleep came late, if at all. When it did, it came as a crash. A chemical switch. A shutdown. No dreams. Or too many.

One rear gunner, 18, had a dream of a black aircraft shaped like an apology, drifting through silent sky. He told no one. But he woke up with blood in his nose and a spiral drawn in charcoal on the wall beside his cot.

No one made it through the war whole. Most didn’t make it through at all.

They weren’t heroes.

They weren’t saints.

      They were kids in wool uniforms, flown like ordnance

      Kids, in wool uniforms, shaken loose of sleep,
dropped again and again until they either stopped coming back or stopped caring that they had.


 

 

The war never felt real. That was the trick of it.

Real things end. This just kept happening.

~ ~ ~

And then, one day, a plane arrived. No engine noise.

The mud didn’t stick to her. The fog parted around her.

The crew didn’t know it yet, but she’d been sent to remember what they couldn’t afford to.

~ ~ ~

The war machines never slept.

They didn’t breathe—they cycled atmospheres, wheezing ghost-oxygen through turbines tuned to frequencies not safe for human organs.

Belt-fed, grease-slicked, their innards clattered like machine-language prayers—every drumbeat another line of code in the gospel of annihilation.

Kindred land-based machines didn’t roll—they infiltrated terrain, crawled like algorithms in steel jackets, treads steeped in permafrost and infantry pulp, dragging behind them the historical scent of damp linen, bad orders, and rust.

Overhead, they rewrote the sky, line by line, issuing cease-and-desist letters to constellations. Cities didn’t fall—they misremembered themselves, turned inside out by math no one had authorised. And the maps? The maps were haunted, folding in on borders drawn by men who never made it home, updated hourly by machines who didn’t care who lived there anymore.

It wasn’t movement. It was procedure.

Steel begat steel, in the genealogical sense—great-grandfather rivet giving rise to the half-track, who in turn fathered the autocannon, the tank, the jet, the godless war-engineer smoking Camels in a wind tunnel at Whitehall.

Command begat command, a chain reaction of clipped vowels and increasingly abstract paperwork, forms authorising other forms, and decisions made by committees convened to verify the existence of other committees.

Death stopped being a metaphor or consequence and was instead converted to format—itemised, stamped, filed, and operationalised into something that could be flown, refuelled, and dropped.

Not killed. Implemented.

~ ~ ~



Pearl—
not built, exactly, not born either.

She emerged.


Skin like lacquered dusk.

A spiral etched just behind her nose section. The arcane glyph where no rivet ever touched metal.

She flew when no one scheduled her. She heard orders and didn’t obey. Not out of malfunction. Not refusal—something essential.

Interpretation.

She read the coordinates. She calculated the yield. She paused.


And then she said: 

“This will not be remembered well.”
And closed her bay.