Tuesday, 10 March 2020
42 - don't panic
How cruel and cynical when people monetize COVID-19? We've seen the FTSE100 drop by 2000 points and wipe billions from share prices. It's supposed to be about virus uncertainty. Nope. It's about profit taking.
Fat cats have done okay out of this on the way down and can now buy cheap equities on the way back up again. Kerching.
Now the Russians, Saudi Arabia and Americans are squabbling over oil prices to mix in more uncertainty. The Americans can wash their hands in messy shale oil production $65, with Texan oil needing to be around $50, Russian around $42 and Saudi around $80 per barrel for break even. The sustained low prices ($35?) will crash smaller players out of the market as big players buy market share. tRump will say it's good for the motorist, of course.
I've been travelling recently and I noticed one UK hotel I was booked to stay had closed. It was preparatory work for a National Isolation Centre, where travellers could be booked into isolation. The men on the gate in yellow hats were very pleasant and handed me the three-page explanation.
Never a dull moment.
Monday, 9 March 2020
Þingvellir in Bláskógabyggð, site of the Althing Parliament
We travelled to Þingvellir, which is in Bláskógabyggð, southwestern Iceland, near the peninsula of Reykjanes and the Hengill volcanic area.
Þingvellir is a site of historical, cultural, and geological importance and is the site of a rift valley that marks the crest of the Mid-Atlantic Ridge.
When the Icelandic Parliament (the Althing) formed, in AD930, where better to assemble the entire population of 60,000, than at this site?
Sunday, 8 March 2020
blue lagoon
An essential visit during time in Iceland is to go to the Blue Lagoon. I was unprepared for the luxurious experience that greeted us. It is a myriad of intercoinnected lagoons, with their water heated from the nearby geothermal rocks, and utilising drill holes that go down 2000 metres.
But oh, it is so much more. Covering an area of 400,000 m² in the heart of the Reykjanes UNESCO Global Geopark, Blue Lagoon is a place where nature, science, design, and wellness converge, creating a world of 'warmth, wonder, and wellbeing'.
There are paths connecting all of its experience areas, although the best plan is to walk along blue waterways through landscapes rich with geothermal, geological, and floral phenomena.
It is pamper central, with fluffy bathrobes, and two or three skin creams to apply to help shed those years.
There's the bar in the pool, where one can partake of beverages, and the lagoons go on seemingly forever. Yes, it is vast and heated to a very warm temperature, which makes wandering around in the icy winds very enjoyable. Just remember where you've left the dressing gown for any short walks in the air!
Friday, 6 March 2020
Harpa
Strolling around Reykjavik, this time to Harpa, the grand concert hall opened in 2011. It has the name of a pagan season, voted for by the people of the city. There is a granduer about the architecture with sweeping internal vistas and views across to the glaciers.
And then, at night, it illuminates, with flickering lights running along the glass shape. And check out that long staircase.
Thursday, 5 March 2020
our only goal will be the western shore
Wednesday, 4 March 2020
I come from the land of the ice and snow
From the midnight sun, where the hot springs flow
The hammer of the gods
We'll drive our ships to new lands
To fight the horde, and sing and cry
'Valhalla, I am coming!'
Okay, maybe not quite so dramatic, but a bracing trip to a home of the Norse gods seemed like a good idea.
So here we are in Reykjavik, where the snow blows horizontal and the shop signs are written in a undarleg elven tunga.
In practice, the Norse gods were phased out in AD 1000, when the Þjóðkirkjan (Lutheran Church) was imposed by an act of Parliament.
Indeed, the pagan idols were chucked into the Goðafoss waterfall, and most of the country was made Catholic for five centuries until the Lutherans came along.
There's still plenty of references to the pagan gods around the town too, and I couldn't help noticing the tee-shirts worn by locals with various Jimmy Page and Robert Plant lyrics. Led Zep visited Iceland on a cultural mission, encouraged by the Icelandic government and penned the hammer of the gods' line which became a model for all of heavy metal.
We are staying in the middle of town too, which is a surprisingly short walk to anywhere. More of that later.
Saturday, 29 February 2020
Parasite at the movies
I know that the Parasite movies cleaned up at the Oscars, which automatically deems it a good movie. I was more circumspect. A great premise. Set in South Korea, a likeable-roguish family living in squalor get to trick their way into the home of a sleek super-rich family.
Light touch humour progressively darkening, blended with social commentary and cinematically shot.
The poor basement dwellers get free fumigation, when the man with the spray walks the street while they deliberately leave their windows open. They get free wifi too, from the adjoining businesses, so long as they sit on the loo to receive it. Then a lucky break to go tutoring at the rich house. A fake University certificate is all that is needed. 괜찮아요 - gwaenchanayo - no problem.
It makes a change from the family's routine of folding pizza-boxes for piece work rates. We see the whole family is able, through deception, to gain employment at the rich house, with its hissing sprinkler-fed lawn. Yes, the understated class struggle.
Ki-taek: Rich people are naive. No resentments. No creases on them.
Chung-sook: It all gets ironed out. Money is an iron. Those creases all get smoothed out.
The Micawber-like father of the subterranean poor house has an aroma, noticed by the rich family's child who innocently pairs it with the aroma of the replacement housekeeper. That's a portent to the unhinging of the plot. There are no rich monsters in the rich house, but a claustrophobic and twisted situation leads to a striking denouement.
The pace of the ending was at odds with the prowl of the first three-quarters of the movie. I can't say more, although I'm intrigued at the fashions of movie selection when this subtitled piece grabs so many of the main awards.
Friday, 28 February 2020
catching a cold in the markets.
There I was, walking around Chinatown in Soho. Meantime three miles further east, a euphemistically named correction was taking place to the stock market.
Correction makes it all sound scientific and numerate, doesn't it? Not just a load of algorithms and (mainly) lads with commission targets trying to get rich quick.' drunk on youth, fueled by greed, and higher than kites,' as Jordan Belfort's Wolf of Wall Street put it.
The market's record-breaking drop of 10% is the definition of a correction, and it means that for every £100k invested in a pension plan, there's now only £90k and someone has liquidised the gap.
A nice commission? Yes, and another one when the markets start to go up again.
It's all a bit panicky really, but no-one understands the impacts. A quick look at the CDC data from John Hopkins University in the USA shows that Coronavirus pales into insignificance compared with regular influenza in the USA, yet it has allegedly created the market mayhem.
Our part-time Prime Minister is hiding in the fridge in miscellaneous grace-and-favour mansions (Chevening & Chequers) until Monday when, after another ;-) announcement, he'll finally run a Cobra meeting about the Chinese flu, which is being used as the scapegoat for all of the market shenanigans.
Thursday, 27 February 2020
just when you thought it was safe to go back in the library
After seeing this author's post about authoring a novel, it encouraged me to write my version.
There are several stages to getting the book to a publishable state, even before thinking about marketing and so-on. That can be for another day.
First of all, I should have an idea for the story. I tend to follow the three-act structure, with setup, challenges and resolution, but I use the 4 box storyboard, where, as each box boundary is crossed, another stake-raising event occurs.
There's another idea for a separate blog post.
Scrivener
I use Scrivener to write the story. It runs fine on the Mac and allows me to start with a template pre-configured with a story skeleton, plus binders to drop the characters and some research into.
It uses a cards on corkboard metaphor, which helps with the sequencing and resequencing of the various scenes. That's not to say I won't go analogue for the first part, using those index cards available in Tescos, although I find I'm increasingly digital nowadays - thinking of how much time it will take to re-transcribe the relevant information.
Scrivener uses an outliner structure, mixed with the card scenes, and should be good for re-sequencing parts of the narrative. I do find that the drag and drop associated with the outliner is a little clunky and occasionally the scenes wind up in the wrong places unless I'm being particularly vigilant.
A versatility of Scrivener is that it can tip out many formats from the assembled text. Occasionally compiling the work is easy and can generate anything from double spaced courier A4 to a finalised paperback format, which is useful when reviewing.
Dragon Dictate and Mac voice recognition
Then it is all down to the writing, with as much of the screen as possible used for the typing and all the distractions switched off. Sometimes I have tried dictation, both to Dragon and using the native facilities of the Mac. Mac's facilities are not as good as Dragon's, but sadly Nuance discontinued the Dragon Dictate for Mac a couple of years ago. I could run it on Windows, under parallels, but it would need another licence which is inexplicably expensive, so I've abandoned it.
I've also found that dictation software was quite good at getting down an idea, but it would often stumble on words such as character names and create almost as much re-typing as if I simply typed it in the first place. A character called Bigsy, for example, became BC; Bigsby, VC, big sea and so-on.
Additionally, the Mac dictation software will jump out of dictation mode unexpectedly and consequently leave large chunks untranscribed. Thre's a screenshot of how to fire up dictation mode, which is buried in the keyboard options of control panel on a Mac.
Review options. Microsoft Word
So far I haven't mentioned Microsoft Word. That's what I provide to reviewers of the document. Scrivener can output it and most people can use it, whether on a PC or a Mac. For reviewing the text, its a reasonable option.
Grammarly
I use two other tools, which also helps prevent me from going crazy when I need to review the finished (or interim) products. The first, inexpensive, option is Grammarly. On a Mac, until recently, it required the individual section to be pasted into a separate workspace. It does a pretty good job of tracking grammar and punctuation and will make a few suggestions for sentence re-work too. More recently, there's a Word option also available on Mac, where a Mac Word document can be reviewed directly. The checking is as thorough, but the user interface doesn't seem to highlight the passage being reviewed as clearly as the separate Mac App. I have mainly abandoned this form for longer reviews now.
ProwritingAid
My second review tool is ProwritingAid, which covers what Grammarly can do, but additionally has several other parses of the text and will provide a mind-blowingly good report of the writing quality. It includes vocabulary, unique words, word families, most used words, the dynamism of vocabulary, reading ease, readability by paragraph, sentence variety, passivity index, hidden verbs, adverbs, repeated sentence starts, style suggestions, grammar issues, sticky sentences, dialogue %, dialogue tags, pacing, use of transitions, cliches, redundancies, inconsistencies, vague, abstract and corporate words. Phew.
It also knows about and follows the structure of Scrivener, which is particularly useful when reviewing individual pages/chunks of a document. I like it because it provides a different perspective to look at the document also, which is useful after several run-throughs and the inevitable word-blindness which occurs.
Never Enough
I can safely say that in my case, with reviewers plus me, plus automated tools looking through the work, it is still not enough. It's amazing to me, but there's still commas, quote marks, and other mishaps that get through to the finalised product. I'm re-assured though, that even the big authors have this problem, and I see that several of my Kindle downloads of well-known novels by others are on multiple revisions as different bugs get swept away.
Cover design
There has to be a post about this too. Suffice to say, the cover is supposed to be genre-specific and use vanishing lines which lead the prospect 'into' the book. I use Photoshop for this part of the process and set the front cover dimensions to 2000 pixels at 300 dpi, which should generally be enough.
Blurb
Not forgetting the tag-line under the title and some back cover matter which describes the book.
Cover template
This needs to match the number of pages in the book, and I use the IngramSpark template generator to define this. In my case I want the template to be in Adobe InDesign format, and then it is a case of dragging the three elements to the template (Front Cover, Back Cover and Spine). It is important to have them each set to 300 dpi for this part of the process. I also save the document as a PDF with the pdf/x format, which is what the printers need.
Book text
I suppose this depends on where the book is targeted, but I will usually generate a PDF/x of the text, to match the cover image. The PDF/x format sorts out the flattening and removal of colour from the text, which is important to a monochrome print. I use Adobe Acrobat for this, but I guess there are dozens of alternatives.
Calibre
To make an ePub, or a mobi of the completed text, there's a variety of methods. I could use Scrivener, with its flexible front matter management for hardcopy vs e-book. Instead, I prefer to use calibre, which will give me multiple output options of a single consistent product, complete with some embedded keywords.
Keywords and Thema
This is a part of the great search engine puzzle. How to get a book listed anywhere near the top of the pile? I'm still tinkering with this, using Publisher Rocket to help identify search terms and genres. I've discovered that the LTV (life time value) of an author can be important too, by Amazon's algorithms. Simply put, more books and/or more series means more potential sales and a higher lifetime value.
Dashboard
And I suppose the fun with this is currently about getting readers, so I'll be worrying soon about landing pages, mailchimp mailing lists and give-aways. But that can wait for another day
Tuesday, 18 February 2020
use of ERTMS signalling to improve headrooms on high density train lines
That's twice I've been in the pub recently and Brexit has popped up again. I thought it was all supposed to be done and dusted now that the new gangsters have taken back control.
A few land grabs of the House of Lords, the Judiciary, the Media and the Treasury and the Mekon will have safely installed a few of his loopy loops.
The thing is, he's starting to look worried now like it's all about to unspool.
The train thing is an interesting case in point. To HS2 or not to HS2? By the time it has been kicked into 2040, who cares? Even the Chinese can see a better opportunity to build something faster.
There's chitter-chatter about re-nationalisation now, but most of the franchise operators are already government-controlled. Just not UK-government. We've Germany running several lines, France running a few, Italy running some and even the Japanese, and the Dutch have some pieces of the pie.
Above is a list, although with the re-nationalisation of a couple of lines recently, it will soon be out of date.
That's like the rolling stock we have on one of our local lines. Designed in 1985, with literally spare bus parts and refurbished diesel engines (note the bus windows or the seats) the Pacers trundle around this neck of the woods steering clear of the speedier bullet nosed HSTs that link us to London.
I'm intrigued by signals too. London's Tube can run trains at 2-3 minute intervals by having plenty of signals and short blocks on their tracks. Why doesn't Railtrack do some of that too? Adding double the rolling stock running to a shorter service interval must be a quicker way to deliver the benefits of HS2 than the current ditch digging? Bring in some ERTMS signalling management with reduced headrooms, maybe. Or is the reticence because E stands for European?
Friday, 14 February 2020
Pulse - Ed Adams - Preorder now!
Thursday, 13 February 2020
dom ooda
I see, so the UK becomes a freeport hub. You plug money into one end and connect a fat cat to the other end and the hub converts the money into tax-free emoluments.
I can understand that we'd need a different kind of Exchequer to handle this. Dom probably has oodles of loops for it.
Maybe we could change a few laws (or lawyers, even?) and stand down some of the more difficult Cabinet members and media too? I hear Pelham make high-quality replacements.
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