FANS: Fanclub: "This one's for the Fans" @livetheatre @thesixtwenty #FansTour

FANS : Rawk

FANS : 1-2-3 1-2-3 1-2-3 drink

FANS : Rockin' out

FANS : stylish band shot & on brand

FANS : Yeah!

All the way from Colorado

FANS : Strike the pose

FANS : We've been to this show before!

FANS : Take it to the bridge

FANS : A show for anyone who's ever loved music

FANS : We will rock you

FANS : This time play it in Green Day colours

FANS : We're already a band

FANS : Another album cover shot

FANS : Rock star family

FANS : Rock n roll

FANS : We brought our own instruments

FANS : In search of the lost chord

Come see us on tour!

FANS: not a review, exactly @thesixtwenty

It sounded as if the audience had a great evening judging by the noise they made.

The same for the FANS on stage, Chris Foley, Charlie Raine, Andrew Bleakley and Alex Tahnee. Playing Chris, Charlie, Andrew and Meghan.

The show was written by Nina Berry and directed by Melanie Rashbrooke who together co-created the original idea. Chris Foley is the show's musical director. Stage lighting and soundscaping is by Craig Spence.

It was a brilliant way to spend an evening (or in my case four evenings and most of four afternoons).

The concept of gig theatre is to make a theatre experience like going to a gig. Attract a different audience to the theatre. A great idea of creative producer Graeme Thompson and others at Live Theatre to experiment by letting their attractive front of house be -er- adapted to provide a more gig venue like experience.

From "BAR" in masking tape on the floor, to posters of past gigs on the wall, listening booths and a chance to strike the pose with a guitar and microphone. But more of that in another post.

Let's hope a few fledging bands started here.

Here's a few pictures from the show.

Charlie's early emo phase (and Andrew with a Fan)

Chris plays the blues instead of Green Day for a moment

Andrew waits massively for the teardrop to explode

Meghan/Alex hits a new and rather funky bass-line

Here's my shortened extract from what The Stage has written:

"An energetic mash up of theatre and live gig, Fans is an insightful and often very funny exploration of the love of music: the bands and singers who move us, and why.

A fledgling band’s rehearsal is derailed by a debate as to their name. Madonna-mad Charlie wants to pay tribute to her icon, which doesn’t go down well with Green Day-obsessed Chris. Meghan has such expansive, eclectic tastes she finds it impossible to narrow down, while peacemaker Andrew is caught in the middle.

Each of them gives us their musical biography, punctuated by snatches of songs, a mix of classics and original pieces, cleverly used (all played and sung live by the cast).

Inspired by real-life recorded ‘confessions’ there is no earth-shattering drama here: more common experiences, pleasingly played out, from embarrassing emo phases to the bittersweet anxiety and anticipation of making someone a mix tape.

Fluidly directed .. with enormous charm (and) performed with verve by an immensely likeable cast."

Come see it on tour!

FANS: Staging it

Here's one of the stage, mostly set up but with the EB-L25000U light projection only in experimental use. Projection on to two textured walls in the right font was one challenge, then adding another 50 cues to the show for back projection.

Then, to save complications when moving it around, swapping the original vinyl record player for another one that's battery operated.

Almost time for the wristbands.

FANS - the preparation

Time to be getting ready for the next tour of FANS. There's the boxes of flyers, on suitably high quality stock. The kind that is almost difficult to fold.

And there's different versions for Live Theatre and for the touring theatres. The boxes have already been dispatched, with a unit cost of about £15 per box per venue in shipping. Different from Fringe when it was possible to have the entire shipment sent straight to the venue.

The little badges arrived with Just-In-Time delivery. We designed them on Tuesday morning ready for the show on Wednesday. They're being made in Scotland and then shipped to the venue. Same for the paper cannons.

The stage gets some new technology including a guitar pack radio sender and a new radio mike as well as a stage-based practical vinyl record player. Not forgetting the new smoke machine. No warm up time on this one - instant haze.

Then there's the blinders. Admittedly hired, they could do a decent substitute for the sun. But instead of 'set to stun' they'll be used on just 10% setting.

Expect a few days of marketing from the various twitter accounts. Here's blinders on 10%.

let them eat cake (but #nobribes)

How wrong can one be? I predicted a few days ago that the bribes would be starting around now related to Brexit.

My paltry doughnuts were clearly not visionary enough.

Admittedly I'd already spotted the cheap tax regime to be offered to foreign investors by the Tories. I'd even commented about the equivalent of 'beads for the natives', but I'd missed the grand thinking to create a new Festival of Britain (including Scotland still, and Northern Ireland and Wales obvs.)

Why would one need to have a People's Vote when there is the offer of a Festival? Whilst it could be partly financed by the public purse (allow £2 per UK person = £120 million). If street parties were added then the rest would be sort of free, especially if it was held over a long weekend.

The money involved is a drop in the ocean compared with the new outgoing associated with the DExEU and all the new controlling departments. Latest figures are pushing towards a new on-cost of about £27bn per annum which is about £1k per household (excluding the very rich etc). I expect it will all change again though, what with another budget coming up after the conference season.

The Maybot is self-rebooting and runs on a self-laying track. It's harder to defuse than that bomb in the Bodyguard.


But I'm wondering if the whole scheme is as deranged derailed as BoJo the Clown (seen in picture with Top Hat Toff clown) thinks, then what happens? The Clowns don't really have a better class of bribe. Some of them are clutching at vanity projects in the absence of anything sensible.

I keep seeing the one-liner suggestions from 2016 swirling around with some light repackaging. It's as if no-one involved has done any real work over the last two years. All too busy keeping heads down in disillusioned jobs in disrupted departments following disingenuous policy.

It's a well known myth that Marie Antoinette didn't really say the cake/brioche line about the peasants having no bread so they'd jolly well have to eat cake.

"Qu'ils mangent de la brioche"

Our modern equivalent of the cake story needs one of those tag lines too. Something snappy about being continuously lied to around decisions were are supposed to have made ourselves, then converting dubious action into a misappropriated will of the people in order to gather political power.

"Qu'ils mangent les mensonge alors que nous saisissons le pouvoir."

Let them eat lies while we seize power.

Not as snappy in my pidgin French, but wait.

sunset, ale and a fast clock rate

Down by the river for an evening to put the world to rights.

A sunset view with a glass of ale, and that strange effect when the clocks spin madly after one-o-clock in the morning and it is suddenly three-thirty a.m.

#devon sunshine and a French warship

After a comment from blogger Nikki-ann noted that my pictures seemed to be showing sunnier weather than in her area, I thought I'd do a few snapshots from yesterday. It's where we had a very late lunch (5 pm) and shows more of that end of summer sunshine.

It also gave us a chance to wander, and look across to the small island just visible in the picture below, to the left of the yacht.

Time for a small exploration and we soon found high ground with a better view of the island.

By now, the sun was setting and the sky was losing its bluest hue. We were close to a lighthouse and to its right hand side we could see a distant warship.

I assumed it would be from the Royal Navy, but a closer inspection revealed otherwise.

It was D646, a French F70 anti-submarine frigate FS Latouche Treville. Moored just off the shoreline, it released nonchalant plumes of smoke, in the now setting sun.

doughnut spins

Days after EU leaders said the Brexit plans won't work, it is worth looking out for the bribes - and I don't just mean doughnuts.

May's are clear. Whilst saying the UK has a “knowledge-rich, highly innovative, highly skilled and high quality" economy, she is adding that it will have low tax and 'smart regulation'.

It is a lightly coded message for investors. It is saying that investing in a post-Brexit Britain will give the lowest rate of corporation tax in the G20.

The Labour bribes are more spluttery. The target electorate get that ad-hoc Kier Starmer speech addition about bringing in a Remain clause to any new Peoples' Vote.

Labour's recent suggestion would be to force employer share give-aways to benefit workers in UK-listed companies.

Now we get front-man affable uncle Corbyn going all enigmatic. Maybe slippery, because it's being called triangulated strategic ambiguity. He's far more interested in an election than a referendum. His team can hint at futures, but he still holds the key and his latest 'something for everyone' bag of promises.

It's all very well but the weeks of futzing around don't inspire real confidence related to opposition politics. Sadly, it's been about 'put us in charge or we'll continue to behave like limp lettuce.' (Except in occasional wave/waive making bursts at Labour's conference)

So we're having to dunk the doughnuts in fudge. Not really that appealing?

I decided it was about time to take a look at what an investor organisation might be saying. I randomly picked Barclays. A bank, international, but with a high UK footprint.

As Theresa May might say later today ;-) “You will access service industries and a financial centre in London that are the envy of the world, the best universities, strong institutions, a sound approach to public finance and a consistent and dependable approach to high standards but intelligent regulation.”

But what do Barclays (as a proxy for investors) think? Firstly, they see British trade outside the EU trade falling ever since the 1950s.

Their own analysis of the ONS figures shows UK trade with EU representing 49% of all UK trade.

Another aspect of the current situation is that most of May's trade discussions seem to focus on goods rather than services. By the way, did anyone else spot the Barclays error on the above published chart?

Whilst clearly very important, the UK services economy is also huge but missing from much of May's recent commentary. Barclays make some observations on the trade agreement situation:

Notice that it reckons 78% of total value added comes from services, which also produce a trade surplus. This doesn't bode well if the Brexit work has focused on goods well above and beyond services.

May and Co know all of this and we are now being fed selective information about what could be agreed. Even the high points of it are quite low.

But what does Barclays think? They have a whole video for this, which I'm almost tempted to embed.

It mainly lists some scenarios around different forms of Brexit:

1. Leave EU but stay in EEA. Similar trading to now except UK can't influence anything from EU.
2. Leave EU and EEA but stay in Customs Union. Worse than (1) with less agreements and even less influence
3. Leave Eu and revert to World Trade Organisation agreements. Worse than (1)&(2). Lose all EU agreements and all EU agreements with rest of world. Need to build a new set.
4. No Deal crash out of EU. Worse than (1)&(2)&(3). No structures and no legal frameworks. Currency impacting.

The next two are really roll-forwards of (4) and illustrate a couple of recovery scenarios:

5. Like (4) but additional need to rapidly sign comprehensive free trade agreements with everyone. Would take years.
6. Like (5) but even later, a resumption of a new equilibrium. Worryingly, the diagrams for this don't show it any better than staying with the EU.

Barclays isn't showing much optimism, although it can see the business opportunities to support 'hope' through advising businesses across whatever choppy waters might occur.

I reworked one of the Barclays charts. First, there's a corrected version.

That chart is fundamentally the same as Barclay's one. Then I took away some EU trade based on the lack of agreements and the UK needing to pay more to operate its agreements. I used a mid-point figure of 13% impact on just the EU trading. It does move the numbers around, but I've left the non-EU trade at its current level.

Surprisingly, the end effect isn't quite as much as I expected, although the resultant doughnut is smaller than the original one. When I look at the effect in money it becomes more interesting. £56 billion per annum. Put another way, that's around a quarter of the welfare budget, or a third of the health budget, or almost half of the pensions or education budget. Slam dnkd?

stacking the stones

Before the month clicks round, I've been meaning to post the above picture.

It's all my own work, a little pile of stones. My one was built upon a stony beach, so there's no question of displacing rocks from one area to another. Whilst not entirely 'leave no trace' it's the equivalent of building a sandcastle on a sunny beach.

My own rock balancing is about as simple as it gets, but it is still very satisfying to have a go. The gentle pull of a rock as it looks for three points upon which to rest. The satisfaction of adding more stones. The thunk noise as one stone brushes against another. The discernible pull from the earth when trying to place the stones.

Some would argue that there's a Yogic Guna with the stones. The Sattva of goodness, constructivism, and harmony. The Rajas of passion, activity and sometimes confusion. The Tamas of darkness, destruction and chaos. Maybe the stones have more of the Tamas, the dense and slow Guna?

Others might say that the stacked stones are best used as a memorial or as a way-marker.

I'll just say it's good fun.

Raspberry Pi and Wordpress

I've recently been helping out in the background with a web-site. None of my own content, for this particular site I'm the behind-the-scenes person who happens to know Wordpress.

Anyway, it was decided that to avoid making accidental changes to the live site, we'd have a second copy running on something else. We're using a Raspberry Pi, which has been fun to do in its own right. The general gist has been to set up a presspi turnkey wordpress environment on the Pi.

Slight warning, it gets a bit technical from here.

The Presspi configuration includes a pre-configured version of Ubuntu Linux, NGINX server, a SQL server and the the relevant Wordpress installation.

Once the Pi has a basic operating system, it can be DHCP LAN attached via ethernet and then accessed without a monitor and keyboard by using a remote terminal program such as OS/X Terminal (or PuTTY)

Access to the generated web site has required a small change to the network /private/etc/hosts file, so that the Domain Name Services will resolve the PressPi server name references.

Accessing the Pi Presspi remotely has required getting underneath the usual OS/X shell down to the 'green screen' version of the Mac Operating system.

Inevitably, there's some flashback moments editing with raw Unix commands, but the end result of running a Wordpress system hosted on a $30 box the size of a pack of playing cards is still quite entertaining. Next will be to try with the Vocore, which is even smaller. At this rate I can see how easy it could be to just lose the whole server down the back of a shelf.