rashbre central

Thursday, 7 November 2013

is a tweet like two punched cards?

a tweet by punched card
I know there's actually 80 columns to an old IBM punched card, but I somehow think of a maximum tweet being like two punched cards.

On the old punched cards, columns 73-80 were for sequencing and 72 was reserved to signal that a continuation card followed. So pragmatically 70 characters per card, or half a tweet.

So I've always sort of thought that twitter has harnessed a short messaging platform for chatter using a maximum message length of two IBM cards.
twitter logo
So if we treat Twitter as an I.T Company, somehow it's single idea and its ramifications is today valuing the IPO capitalisation of twitter at around $30bn.

That's between a quarter and a third of the total market capitalisation of IBM ($117bn).

Or if we treat Twitter as an advertising and media organisation, its market capitalisation is about double that of BSKYB ($14bn).
twitter ticker
Hashtag 140 character big business? Hashtag traderorinvestor?

Wednesday, 6 November 2013

Almost Wordless Wednesday and posted late

Untitled
Trying to get out of the woods with this NaBloPoMo by back posting Wednesday.

That makes me up-to-date.

Tuesday, 5 November 2013

twisty dial cameras

Nikon Df
An intriguing development on the photographic scene in the very month when I've decided (just experimentally) to take most of my photos using an iPhone.

Yes, Nikon have just introduced a new digital camera that looks very much like...an old film camera.

This Df unit looks very much like a last century Nikon Fx film camera, albeit with some fancy electronics inside. It will be interesting to see how this gets reviewed against the rest of the DSLR cameras, seeing how comprehensively it breaks the normal DSLR mould.

I've wondered whether digital cameras could get away from complicated layered menus and back to simpler twisty dials. This seems to be a reasonable attempt to do just that. I've only seen pictures of this Df and I've a feeling that it might be lighter in the hand than expected and also missing things like split screen focus.

It's also rather expensive in its current guise, apparently costing more than Nikon's fancy D800. It also seems to come with a new 'retro lens' as the only option - albeit one without an aperture ring, which I find somewhat curious. Something of a half-way house.

Whether it is the start of a new camera line, or the end of proper mirrors in the next generation of conventional Nikon DSLRs remains to be seen.

It will also be interesting to see whether, in design terms, the old-school look really does stand up in the 21st century or if its simply a market testing experiment. I'm wondering if the next 2014-ish conventional Nikon DSLRs will start to use the dials again too?

Nikon's recent raft of announcements somehow reminds me of London buses, where there can be a long gap and then a whole load come along in one go.

Of course, it's not the first camera to go along this analogue look route; my Fuji X100 does it as a kind of 'alternative to rangefinder' camera, admittedly with some early teething troubles that took a while to fix.

My little Olympus OM-D is another camera that has taken the more twisty dials route, seen here with a few of its old-timer friends.
Spot the OM-D

Monday, 4 November 2013

mashed potatoes and ailurophiles

screenshot_174Interesting recent developments have been the return of a couple of bloggers to the scene.

Well, one didn't really disappear, but I didn't have access for a while. That's Doris Mash.

As Doris says, Life is a bowl of mashed potato: Sometimes lumpy; sometimes smooth and creamy; and sometimes it has interesting bits in it!

screenshot_175And then there's Shephard Summers who took some time out to remodel the blog and returned in a blaze of new colour and style.

As Shephard says: Writer, world-traveler, foodie, music-junkie, magpie, theatre geek and ailurophile. I make my own sunshine.

Welcome back to this blog's reading list.

Sunday, 3 November 2013

nano nano und Mork vom Ork

Mork and Mindy
As this is a back-post, I thought a suitably retro picture would be good.

Thanks to Hannah Curious the Transatlantid I've been reminded of NaBloPoMo - which is National (sic) Blog Posting Month. I've used November a few times to take a run at various pieces of novel writing, but this year decided to give it a miss.

Yes, NaNoWriMo - National Novel Writing Month - will have to wait for another year. I'd rather spend time on sorting out the various pieces I've partly completed than start yet another one. There's The Square, The Circle and Pulse all waiting in the wings for further attention. That's surely enough?

So this time I'm going to try to do the one blog post per day in November thing. To be honest, this used to be easy, but I'm aware that my 'ten minutes a day with one photo' rule about blogging sometimes breaks down.

And yes, I know it's 'nanu-nanu' in Mork & Mindy.

Saturday, 2 November 2013

dancing with the moonlit knight?

selling england by the pound
I get some of those emails from political parties most weekends. I think they mail out on Saturday expecting they have a better chance of being read. Recently they feature the countdown clock for the next election. 550 days according to the Labour Party.

Enough time for the government to sell off a few more UK assets, I suppose. We've been watching Britain's remaining industries and services drift into offshore ownership.

"Selling England by the pound" may have been coined around 40 years ago, but by now it's largely 'job done'.

The privatised world created an array of new feeding troughs for the privileged. The accompanying outsourced world created offshore opportunities by removing in-country wage packets.

Emerging companies were sold and re-sold so that BA is now Spanish, London's Arriva bus services are German, the original BT cellular network became O2 which is now Telefonica, four of the Big 6 energy providers are German, French and Spanish.

Of course, globalisation brought the service sector to prominence in the UK, with London as a financial feeding centre.

With this early countdown to the next UK general election, there's already much jostling for position, as well as chatter about the futility or otherwise of voting. An ancient lyric from the Who springs to mind: 'Meet the new boss, same as the old boss.'

The catalogue of curious situations continues to develop:
  • Privatising part of the Royal Mail in a way that gave the banks advising the pricing both plenty of shares and an opportunity to sell them earlier than regular punters. Ker-ching.
  • Apparently allowing the largest shareholder in the new Royal Mail to be a Cayman Island based hedge fund. Surely no spivs?
  • Hiding black holes of lost money in pension funds, ultimately creating smaller incomes for those that have saved.
  • Paying off cavalier captains of industry who generally escape with low reputation but lottery winner sized handouts.
  • Allowing a 3rd generation EPR nuclear build to strike energy pricing at around double current rates (£48 vs £92.50). Then index linking it and making it contingent upon the UK taking a second plant somewhere else. Over a barrel perhaps?
  • Watching the energy companies add 10% to their consumer bills, whilst trousering profits so large that an ex Prime Minister even comments about it across his own party.
  • Running the quietly understated UK Asset Resolution bad bank (Britain's 5th largest mortgage lender with some £66bn of loans), but now adding another £38bn of bad bank assets instead into a sub component of RBS.
simplified energy creation and consumption
A bit of an energy gap?

I'm sure there's plenty more examples; I picked finance and energy as starters. We could easily add education and healthcare to the list. No, wait a minute, that's what the politicians are planning.

The thing is, unlike the Who lyrics, we will get fooled again.

Friday, 1 November 2013

how to stop your brain in an accident

Guilty pleasures
I remember being in the plane with the engine on fire.

We had to fly in circles to ditch the fuel over the desert before making an emergency landing on one engine.

Adopt a special version of the crash position, individually checked by the aircrew, who put on orange jackets and special hats. They call to one another during the procedure.

Hmm.

There were plenty of fire engines, but they didn't chase behind us like the movies. They worked out where we'd come to rest. Burning rubber from the tyres. No reverse thrust.

The pilot did a lap of honour after we were down.

But we were in an Arab country and they confiscated all our passports. We were now technically there without papers. Even my multi-entry visa wasn't enough.

Eventually we were put in a big room and watched various self appointed crowd leaders trying to get something done.

C'mon.

Our little gang of three quietly phoned out and rebooked some new tickets and hotel rooms. It was a good move and better than trying to have an argument with the officials in the room. Standing on chairs shouting didn't seem to be working.

Disassociate and pass the headphones.

When they eventually let us go we were already booked onto the next day's plane and had some Marriott rooms near the airport to crash (bad choice of word?).

Next night we ran into the pilot when we got back to the airport. A jet turbo blade had sheared into the engine. It doesn't happen very often.

So 'How to stop your brain in an accident' comes through on a number of levels. Yes, it's a guilty pleasure purchase from a random Fopp splurge, but even seeing the cover art takes me back to the coping strategies for unexpected environments.
how-to-stop-your-brain-album-large

Thursday, 31 October 2013

witching nation

image
Somehow the bill poster advertisements in Liverpool seem to be very tidily arranged compared with London. Of course they are promoting the various Halloween events and will probably all change in the next 24 hours. Sure enough, tonight's street fashion seems to be witches, goblins and zombies.

We're staying in rooms at the recording studio in the centre of the clubbing district at the moment. Last night there were guitar riffs into the small hours and tonight it's mainly drums and bass-lines.

Of course, the nearby clubs have their own sounds too, which quieten just before the dawn.
image

Wednesday, 30 October 2013

espresso martini

espresso martini
I've decided to try an experiment using the iPhone for most of my snapshots over the next 2-3 weeks, instead of my various other cameras. I've always used the iPhone for casual pictures, like at an impromptu gathering, but usually regard it as a backup.

I suppose I still really prefer cameras with viewfinders, but I want to see how well-behaved the iPhone's camera can be, and I guess to do that I need to use it more purposefully.

I've already noticed that I sometimes accidentally switch it into a mode that overexposes everything (need to RTFM?) or flip it to video or burst mode unexpectedly.

I'll try to stay clear of all the special effects modes whilst I do this, to get a sense of the colour range and focusing. SOOC (Straight Out of Camera), so to speak. Some might say this should be a walk in the park.
Untitled

Tuesday, 29 October 2013

cupcake sushi

cupcake shushi belt at the chocolate studio
I noticed that the cup cakes on the sushi belt at the chocolate studio had a Halloween theme today.

As well as sparkles.

Sunday, 27 October 2013

almost witchery time

image
Today's fallen leaves indicate the changing season.

Around Princes Street, here in Edinburgh, we've had a rotating mix of gusting winds, rain and then sunshine. Somehow we've managed to time our City forays to match the finer weather.

I'm less sure this evening.

We've been given a weather warning before we head into the Old Town for supper at the Witchery. It's already dark, the clocks have changed and there's a mysterious look to the skyline.
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