rashbre central

Saturday, 9 April 2011

Places

Gate
I am in Paris tonight but i only just realised I've been in a different place every night this week.

Tuesday, 5 April 2011

prinsengracht

Prinsengracht
It may be two forty in the morning, but I've just finished work until my 0700 call.

Monday, 4 April 2011

blur

Airside
Maybe a quiet blog week as I'll be spending most of it in planes, hotels, offices, cars and taxis.

Sunday, 3 April 2011

beats per minute

basket
An early morning bicycle spin today, which was more or less a test that the various parts of the bike in question were functional.

I've been out a few times over the last few weeks but on a different bike with extra lights and other paraphernalia associated with the wintery months.

My last trip on the bike with the thin tyres was the day I slithered rather ungracefully to the icy ground and even now I have the last remnants of the scrapes to my knee.

It started today with me squeezing the tyres and noticing the front one was too squidgy. A few moments with the footpump fixed that and the back tyre seemed okay. I clipped on the little speedo/monitor gadget and remembered to press start.

Pleasant early morning, birds chirping, little traffic and then after about 20 minutes a beeping sound.

The speedo unit was beeping at me. By this stage I'd gone up and down a few hilly bits and was starting to feel the exertion. Except the unit was saying my heart rate was about 35 bpm. That's low. It said it was too low. It certainly didn't feel like 35. More like at least 135.

I decided it was better to switch the unit off and read the instructions again.
hrm weirdness

Saturday, 2 April 2011

cat's eyes

cat's eyes
I've been listening to the Cat's Eyes album, which is by Faris Badwan, frontman of the Horrors, and Rachel Zeffira the opera singer.

But this isn't a faux classical trip, just a classic.

The first time I heard it as an album was in reverse, courtesy of that iTunes thing where a CD's tracks get reversed in 'recently loaded' or whatever its called.

And the first striking thing I noticed was the space on the sound. Really wide - a kind of old school analogue stage with the music rolling gently away. I continued with the reverse listening and decided that this was one chilled album.

Most of the songs are only two or three minutes long, but the effect is a very solid work of instantly re-listeneable music. There's all kinds of little sonics included, a touch of early Pink Floyd synth and Cor Anglais on a track called 'Bandit' plus sweeping violas and vibraphones dotted here and there. Laura Palmer would have played it at Twin Peaks.

There's channeling of 60's style pop, and some tricks played with the vocals without resorting to the annoying comedic ueber-autotuning on most of pop radio output at the moment.

Spacey trippy, pass the jasmine joss.

Friday, 1 April 2011

insidious robots among hipsters

time to go home
I was asked a couple of questions about twitter the other day. In responding I was reminded of a few of the daft things I did when I started using twitter.

I've never paid much attention to the number of followers etc, being more interested in deciding which people or organisations to follow to get information about things I'm interested in. When I started, the whole of twitter was relatively empty compared with nowadays, and it did take a time for some of it to click into place.

My @rashbre is therefore a chronological mix of some friends, some well known people and an eclectic mix of other 'follows' dependent upon whichever fad I'm interested in at a particular time. So there's high-tech, photography, bicycling, music, writing and a bunch of other topics that I track.

The thing is, my @rashbre account has far less followers than another one of mine called @frederickblogs (fred blogs) which I set up as a joke and which has only ever posted six or seven entries.

Then there's the little set of characters I created as part of the launch for 'The Triangle'. @trianglebigsy, @triangleclare, @trianglejake and @chuckmanners. They all get more followers than me, although they all have scripted tweets that blurt out at random intervals. Here's an example from @chuckmanners:

...I am also being folllowed - The sweater has a Danish pattern.
...gaffer tape on a bike saddle is a great way to hide things
...heading for the tube. easier to hide.
...hiding out in this cafe whilst the people who looked as if they were following me walk on by. Call me paranoid??
...theres some smoke coming up from that grill. looks suspicious.
...i think i am being followed along this street.
...this lock up garage looks like something an arms dealer would use.
...That guy across the street has different earphones in each ear. I think he's carrying a wire.
...Just found another Phone sim card in this rental car. That's the third one. Something suspicious about this.


Of course, the messages from Chuck are supposed to be a little bit paranoid, whereas the ones from Jake are more 'whimsical hipster bohemian'. I set them up ages ago and its surprising how when they turn up and interact with one another it creates a sort of vague backstory, which was the idea after all. I see @sarahlund is doing something similar.

And then my somewhat pointless @bubbleoOo which sends streams of bubbles into the twittersphere at random intervals. Simply things like ...oooOOO OO.O o .

Yes, it also has more followers than @rashbre.

And don't get me started on @mrtictac.

right royal edition

BMW April Fools 2011 Royal Edition Marque
There's always a few safe bets for car innovations at the start of April.

Alongside the new Land Rover self-levelling tax disk holder (very useful on a 4x4), there's also the new BMW M3 2011 Royal Wedding Edition, in an exclusive Bridal White, with a special version of the logo.

I downloaded the advertisement using gestures with that new Google Motion software, which interacts via the camera on my iPhone.

It's a lot easier since the AA smoothed the roads around here with their AA Pothole Assist

Thursday, 31 March 2011

little eagles

dan dare holiday special
I see its fifty years since Yuri Gagarin's first orbit around the earth. To celebrate it as a piece of Big History there's a new play by the Royal Shakespeare Company. It's by Rona Munro and tells the story of Sergei Korolyov who was the chief designer of the Soviet space programme.

The play shows how Korolyov leaves a Gulag in Siberia after being wrongly accused as a Nazi sympathiser (because they both made rockets). He makes his way some 4000 miles to Moscow whilst still technically under arrest, so that he can rejoin a rocket programme.

Then he juggles the demands of the new politicos Kruschev and Brezhnev whilst figuring out how to get to the moon. He may not have made it to the green cheese, but his teams celebrated many of the other firsts associated with space.

It reminds me of the strange reverse logic of space travel. When I used to read comics as a lad, the space stories were futuristic but had possibilities. Most technologies accelerate, but space travel has gone into reverse. There's actually 12 men that have walked on the moon. Some have now died and others are in their later years.

Korolyov's little eagles are still very rare birds.

Wednesday, 30 March 2011

Olympian restoration

More red paint to clean
And as if yesterday's picture of Nelson's column wasn't enough, here's the rather sorry state of the Olympic clock prior to its cleanup.

After it's installation and switch-on, we had that embarrassing moment when it stopped. Now it is going OK again, but the splats of paint on both sides are another illustration of the rather central role that Trafalgar Square plays in protests.

Fortunately London is a pretty robust place so I expect that even by the time I write this the clock is scrubbed back into shiny order.

Although I'm still not quite sure about that logo. I can't get the unfortunate rude description of it out of my head when I see it. If you know what I mean.

Tuesday, 29 March 2011

painting over the cracks

Cleaning the graffiti from Nelson
They say 'what difference a day makes' and the transformation already at Trafalgar Square from the situation at the weekend is a good case in point. Most of the signs of protest from the weekend have already been removed and the symbols in Whitehall have been coated with a thin white paint before being removed completely.

The same with some of my work stuff, which has whizzed through various roller-coaster moments over the last few days.

Of course, it still important to register the difference between the superficialities and the underlying situations. The importance of the difference between mere blips and systemic challenges.

Let's say the jury is still out.