Somehow February has escaped without me really noticing.
There's a new light in the morning. I managed to get home in daylight a couple of times too.
There's little snowdrops showing off in the front garden. I can see signs of greenery re-appearing.
The blackbirds are showing new interest in the nearby bushes. Perhaps it was January's distraction with the snow, or maybe I was otherwise engaged, but this year the change into Spring is happening fast.
I usually like the BBC but am annoyed to see that the director general has decided to shut down 6Music. That's the relatively X-Factor free channel playing broad music that sets it apart from many of the regular commercial channels. rashbre central has certain eclectic music tastes and 6Music is one of them.
I decided to do some digging to see how much this digital channel costs to run, per annum and it seems to be around £6 to £9million, depending on whose version you read. In the scheme of things, that's a small amount for some originality and quality programming. As an example, Radio 5 costs £72m and Radio 4 is around £109m.
I also checked on the BBC Broadcasting House Refurbishment project which was originally planned to run to around £1billion. It has overrun by a currently projected £55million. Thats enough to pay for a few digital channels alone.
I can't help wondering whether the priorities are somehow becoming unbalanced?
Instead of promoting new format digital channels, we see them cost cut to offset bad project management.
I can't help wondering whether the BBC top brass was ever really behind the 6Music idea in any case? New music, independent artists, some not signed to labels, live recordings...whatever next? Maybe that's why it was a DAB and internet only channel instead of one that could also be listened to in the car. It would also make it easier to close if the audience figures were somewhat disappointing.
There's some story about boosting the playlists for Radio 2, but equally there's a discussion already running about keeping the Radio 2 demographic north of age 50 or something. It amounts to just running a time machine of safe old tunes from Radio 1 in the 1970s and 80s as a form of lazy programming. If even Mark Thompson himself says there is a lot of 'great content' and 'some real talent' on 6Music, then it poses a serious point about where BBC is positioning its values.
On this occasion, a brief line to the BBC complaints department is in order, I notice it can be found at:
There's also the BBC Trust to consider, which is to review the intended decision and which has its own email and member list.
I won't directly add the emails here in the interests of spam avoidance, but michael.lyons, richard.tait, jeremy.peat, mehmuda.mian, david.liddiment, janet.lewis-jones, rotha.johnston, patricia.hodgson, alison.hastings, anthony.fry, diane.coyle, chitra.bharucha as well as trust.enquiries and srconsultation all take an AT bbc.co.uk suffix as the publicly disclosed names of the members of the Trust. They would love to hear from people with views about BBC decisions.
Of course, there is more about all of this at the BBC consultations website for their strategy review
Whilst writing this, I notice that there's now a Facebook group and a new www.love6music.com website which are part of other folks' attempts to register a similar point.
I've just watched the first episode of the week long drama strip called "Five Days". There's some of the coincidences that this type of drama requires to create the storyline, but is does seem to have the potential to be good.
I enjoyed the three-parter "West Riding", which I think played out over three weeks, but with my own schedule I suspect I watched it over three days. Sometimes the compressed format can work well and in a story where you have to look at what is happening in the background of the shots that can be quite interesting.
I'm hoping the remaining parts stay with new action rather than become overly involved with retracing steps and flashback sequences. With something over a few nights it is easier to keep the story progressing because is should still be reasonably fresh in the memory. By contrast the little formulaic programs in four parts over an hour with breaks and then a recap at the start of each subsection drive me nuts.
In Five Days there are already several different story trails being set up beyond the obvious pair and it will be interesting to see how many develop, whether they throw in a few curves and how many of the plot-lines get knitted together.
I'll need to hit record on Sky though because I'm bound to miss at least one episode and then need to catch up.
The Sunday Morning rain preceded a visit to Halfords on the trail of a very particular lightbulb. The blue car had become one eyed and I had to suffer the inevitable time penalty associated with its replacement. It's almost a conventional Sunday activity, fiddling around with a car. It already looks clean though, so there's no danger of even more traditionalism.
Then I was sitting next to my work PC ominously switched on, because of some stuff from Friday that I couldn't complete. Basically, there's another computer fault which means a further trip to the repair den in the office on Monday. This will be the third time since I received the 'new improved' device in November.
And I wanted to record another track from my lyric-making, this time with my rather economically priced acoustic guitar, only to remember that the middle frets have become non-playable since around the last time I re-stringed it.
Grrr. A few minutes with a pair of pliers and a small piece of plastic and I was back in business. Its probably not the way a luthier would repair it, but it worked for me.
I did try that big bolt "truss rod" adjustment first, but I could tell it wasn't going to work, whilst pinging the pegs for the strings and adding a sliver of packing to the bridge has done the trick. Full pix for anyone else so foolhardy, are here
Half an hour of further songwriting today, as I tried to make a New York song to round out FAWM.
I listed a few places on a sheet of paper and have linked them together with a bit of a story. Instead of trying to do the whole city in three or four verses, I've decided its better to hang around in one area and ground the lyrics from that point.
Its probably still the transatlantic equivalent of 'Mary Poppins does London Town', but its something to knock into shape later and maybe add some Velvet Underground style guitar licks.
Although my last song's New York Chelsea girl reminded me of Nico. So now I'm thinking a techno 20 would be a good way to round it off, perhaps with female vocals and a slightly German accent. So here it is....the bonkers last track
Great excitement today as unexpectedly a first royalty cheque arrived as proceeds from the rashbre novel, 'The Triangle'.
Now I'm considering what to spend it on.
Whilst appreciative of the readers that have helped create this reward for my efforts, I also liked the suggestion I received that I should do something special with the money.
In the same way that writing the novel itself was a gamble, I suspect that'll be my plan for the way I spend some of the proceeds. I may divide it into some different spending streams. One for something worthy, one for something to signify the occasion and one for something reckless.
I'll tell you how I get on with the gambling part.
I know its not 13, eighteen is a trifle excessive, but its difficult to cut them back down. I've somehow managed to keep on with the February Album Writing Month where the official target was 14, but I've kept on going.
I should think there will be a few to salvage from with the set, although I'm not sure that "Motorway Adventures in Wales" is going to make the final cut, with its chorus of:
"alone again in this hotel room squish the teabag with a spoon"
Oh dear.
A few made it to being accompanied or mixed and I've decided to put some links to those with music here too. Of course they are all hastily assembled demos:
- no more moonbase alpha - that's the where the nearest available instrument was a banjo, and the song is designed to be an artifact from the near future. I'd prefer it to have clicks and scratches actually. - la dama puliendo el paso, por todo la calle real- the one based upon a number 3 card (la dama) from the Mexican Loteria, with a nod to Dylan. This is a slightly different mix from the version on FAWM but still has my dodgy faux American accent. I chopped out some of the accompaniment and turned up the rhythm guitar. - i'm your hit man, babe- a punk guitar tune about a bad lifestyle that I wrote and then played without learning any of the words. A one take disaster, which I kinda like. * prophesy- short haunting Christina track, in an attempt to re-establish some musical credentials. * remember me- dance track with a bit of synth and guitar. Somewhat over compressed but they are only demos. Couldn't resist some stabbing synthy bits and some outlandish autotuned vocals. * your body all over mine- lets do some slinky jazz - quite pleased with this one which is also a bit off normal genre and which really does shake the floor with the bass. * temazepam bunker - a 2:30 orchestral piece about life in a bullied workplace. The sleeve notes for this one are a bit warped.
I keeping with the FAWM convention, I've starred a few that are probably slightly better produced. The ones without stars are demos with my own vocal accompaniment. I don't recommend starting with those. Despite how it may sound, I've rather enjoyed doing this little project.
I also still really want to do a song about New York. Maybe this weekend.
Moving my photos onto Aperture 3. Its taking a few hours, because its trying to recognise all of the faces. Will leave it to run overnight.
Observations: 1) It took about 6 hours to process and convert an around 80,000 photo library 2) It has made a reasonable attempt at guessing the faces, but theres some laughable mistakes too. 3) The GPS tagging is very quick and useful and integrates with google Maps. 4) It booted Aperture into 64bit mode, but most of my third party plug-ins are still 32bit. 5) Now its completed the processing, its speed is about the same as previously. 6) There's a lot of new functionality, much of which save jumping across to Photoshop or similar 7) The new RAW support handles my Lumix cameras (at last)
I like it and its a noticeable improvement on something that was already pretty good.
Technical moment - running Aperture in 32 bit mode I've changed back to 32 bit mode for the time being. Its easy to do, there's a little box in Finder 'Get Info' for the application which needs to be ticked and then Aperture starts in 32 bit mode. All my old Third Party plug-ins work fine (eg from Nik, Genuine Fractals, Noise Ninja, One etc). I'll flip to 64 bit once the plug-in fixes appear.
If the little box is missing (for some users), then reboot holding down the shift key (ie Safe Mode). Once its booted, the tick box is installed. Then re-boot again. I have to say this is a most un-Apple like thing to need to do though.
The discussions about whether or not the Prime Minister displays temper tantrums has appeared a few weeks before the election.
There's straight-faced denials from Peter Mandelson saying nothing untoward has been happening, yet there seems to have been an undercurrent of questions for at least the last nine months. Ever since a little question about throwing mobile phones was raised in Prime Minister's Questions.
"This is not an account I recognise" being part of the subsequent mandarin response.
It's quite difficult to unpick this kind of thing. I know someone wants to sell books, and there's around two months countdown to the elections, so it seems predictable that the truth is being smeared by anyone within reach of the trough.
For starters there's the jolly poster japes of mydavidcameron.com although the equivalent domains for gordon and nick have already been bought in a pre-emptive strike.
We have to treat the next period as a Punch and Judy show, with accusations and denials in equal measure. Are we looking at a pussy cat, or a crocodile? as Mr Punch would need to decide.
Presumably the same sausages of disdain will be used to parade the current alleged achievements of leadership and the similarly aspirational plans for the future.
Unfortunately, these accounts are something I recognise all too well.
I received some comments after the last posting because I appear to have frittered spent some time on the music.
How could I find the time and so forth.
Well, this evening we've just enjoyed a late dinner and some wine, but also managed to jam a jazzy Latin track which wouldn't be out of place in Madrid.
So this one is for anyone alone at the moment.
Jazz of the type you might hear in the Plaza de Santa Ana. But in this case it's here and made on a Mac.
With a little help from my friends.
feel your body over mine (rashbre feat. Christina Nott)
It would be a lazy Sunday ahead, except that I've been drinking freshly ground java bean coffee, which has increased my state of alertness and forced me out of the house.
After a week on the run and then Saturday to restock the larder, the logic suggested a day to read a few newspapers and maybe watch some television. In practice, early this morning I was reviewing a work document, despite my broken disk scrambler. All finished now.
So what next?
Well, the rashbre and Christina Nott collaboration is back since yesterday's 'prophesy' mix and today's track is called 'remember me'. A good excuse to dust off some synthesizer bloops and bleeps.
Somehow we will get an album's worth of content.
remember me (rashbre feat. Christina Nott)
Reminds me I always thought "feat" would be a good name for a recording artist.
This is the first chance I've had to actually record anything from those little songs I created last week.
Yesterday evening I had a bash at a couple, which were rather 'one take wonders'. Live triumphs over quality. Still, someone else can pick up the vocals when we eventually arrange the music weekend we've been talking about for a year.
It wouldn't be right to leave out the rashbre and Christina Nott collaborations from this little experiment though, so there's a new track from us, which is the only one that's been through any proper mixing.
