rashbre central

Thursday, 16 January 2025

Ed Adams : Writing It Series

 

This is my next book - still a work in progress. It's another reference book that follows on the heels of 'how to write a novel', this time about Plots. 

I think I'll call the set 'Writing it' - after my sketchy podcasts. I'm still working through the notes from my Moleskine notebooks and converting them into a structured format. 

I'm not the only one writing these kinds of books, but I hope I can contribute something new. If nothing else, it's a handy desktop reference for me!

Watch this space as they say - my third one will be about 'Character'. 

 Then, I think, I'm done.


And this first one hit Number 88 in the best sellers list for Books and Publishing! 

And now I've announced book 3 - Character, I guess I'd better write it.
 I've already designed a test cover.



Adopt the brace position.


Wednesday, 15 January 2025

Notebooks

(Generic illustration)

I thought most of my Moleskines were basic black, but as I've corralled them into a single drawer, I can see that I've also used other makes in different colours and even a few of the digital ones and a whole heap of the smaller Cahier journals in that fetching Kraft Paper brown (They were the least expensive).

Curiously enough, the place I've filed them almost makes them disappear, yet I realised there's some good content within.

Yes, I downsized from the ancient, fondly remembered Time Managers to Moleskine when I was still working in an office and found it so much better than carting around a Black-and-Red notebook like everyone else.

I can't tell now whether people are still using them as much because most Londoners seem to be using A5 notebooks, although I suspect they are really props to reserve space in coffee shops.

But the interesting thing is the material I've accumulated. Aside from projects and assignments, there are notes from meetings and notes of personal projects which I've been re-purposing, like the ones I found, which can be made into a set of mini reference books about novel writing.

For example, this black Moleskine had a built-in text recognition system that meant notes could be transferred directly to electronic.

And then there is the treasure trove of comments, like this set of notes from a fire evacuation.

Nowadays, there's improved scanning software (Text Sniper) that can read even my scruffy handwriting. and convert flip charts into PowerPoints.

1) William Gibson Spook County 
2) Coupland - latest paperback 
(after JPOD)

Hotel evacuation - chefs - hairspray 1 engine
drinkers x 2 slow suited

the band 5 people convex sneakers → black hat emo.
stairs back; lifts open empty
roll call

But what's all this about? I'm looking through some of the notes to help me write a couple more textbooks. 

There are three in my mind: 
Writing a novel, writing plots, and writing characters. Let's see how I do!

Sunday, 12 January 2025

danger danger high voltage

Ethan Swope's AP photo of the dreadful fire in California. 

The last time I was in the Pacific Palisades area, I can remember fire trucks parked all along the California 1 and low-flying planes bombing the ground with water. 

It was terrifying, and there wasn't any obvious route except staying on the 1.

Earlier, we stopped off in Carmel and could see the clouds of smoke billowing. Right back in LA, on Hollywood Boulevard there were signs of the smoke hanging in the usually deep blue filmic sky.

It was a few years ago, when we travelled from Seattle to Santa Barbara, following the route of the mission bells and pausing to clamber into the Fault Line. Even then, there were signs of the fire challenges, yet one of the areas we passed through was the Salinas Valley, referred to as the Salad Bowl of America. 

Now that driller-killer is planning more fossil fuel extraction, I'm struck by his counter-intuitive buddying with the electric car man who wants to stop using fossils, yet the gangsta has his hand in most of the techno-brotherhood's pockets. 

Maybe the fault line is destined to go through the White House? I guess the photo could be a metaphor.

Saturday, 11 January 2025

Friday, 10 January 2025

Snow Crash happens in real life


Snow Crash 30-year-old cover art by Bruce Jensen - Hiro Protagonist waves a katana.

Guess what? Google and Microsoft are the latest names making some waves with a sizable donation to the group organizing President-elect Donald Trump’s slushy inauguration. 

Google, based in Mountain View, California, is stepping up with $1 million for the inaugural fund. Karan Bhatia, who used to be a senior official in the Bush administration and now heads policy at Google, shared the news. It turns out Google has a history of contributing to inaugural events, as confirmed by a spokesperson. CNBC was quick to report on this donation.  Bhatia said, “We’re excited to support the 2025 inauguration with a livestream on YouTube and a direct link on our homepage. Plus, we’re chipping in to the inaugural committee.”  Google: 'Don't be evil' (deprecated)

Then, we have Microsoft from Redmond, Washington, who also confirmed they’re donating $1 million to the inauguration. Interestingly, they’ve got a bit of a track record too—they donated $500,000 to Trump’s first inauguration back in 2017, as well as to President Joe Biden’s inauguration in 2021.  

These donations are part of a larger tech-bro trend, echoing similar contributions from other heavyweights like Mark Zuckerberg’s Meta Platforms, Jeff Bezos’ Amazon, and even an AI startup called Perplexity AI. And let’s not forget that Sam Altman from OpenAI and Tim Cook from Apple also put in their own personal donations of $1 million each. Fascinating times, right?  

It’s hard not to think about how all these developments resonate with themes from Neal Stephenson’s "Snow Crash." I discovered the book when I was on a trip to Silicon Graphics in Mountain View, California, just after Stephenson's book was been published. The presenter of the SGI machine was so excited and told us as much about the novel. In the book, the intertwining of technology, media, and society creates a digital world teeming with complexity and corporate influence. The massive donations and engagement by these tech giants reflect a tangible version of that fictional landscape, where Hiro Protaganist faces corporations playing influential roles in national events.  

It's like Alanis channelling Great Expectations with her lyric: 

I'm like Estella
I like to reel it in and then spit it out 
I'm frustrated by your apathy
And I am frightened by the corrupted ways of this land
If only I could meet the maker
And I am fascinated by the spiritual man
I am humbled by his humble nature, yeah

I don't think the new leader passes the test?

And that's not all - Amazon also announced it’s contributing $1 million by streaming the inauguration event on Amazon Video. 

While it’s pretty common for big companies to donate to inaugural committees, Trump is breaking records this time around. Biden’s inaugural committee raised $61.8 million back in 2021, and Trump’s in 2017 brought in $106.8 million according to the filings. But now, the Trump-Vance inaugural committee has outdone them all with a whopping $170 million, as reported by the Associated Press.

The amount of money raised is so massive that some donors who gave seven figures won’t get VIP tickets or special perks for the inauguration, thanks to the high demand, according to the New York Times. This shows how major companies view these opportunities as a way to gain favour with the new president, especially those who struggled to stay in his good graces during his first term.

Dmitry Shevelenko, an executive at Perplexity AI, stated last month, "Unlike other tech companies that have recently tossed cash into Trump’s inaugural fund, we weren't around during his first term, so this is a chance for us to team up on common goals rather than trying to fix a rocky relationship."

Google's CEO, Sundar Pichai, seemed pretty excited to discuss a big idea for artificial intelligence, likening it to a “Manhattan Project” before a December meeting with Trump. And let’s not forget Bezos, who sat down for dinner with Trump and Tesla’s Elon Musk that same month.

Just this week, Zuckerberg made some moves to win over Trump and his supporters—he added UFC CEO Dana White to Meta’s board and ended the company’s long-standing practice of using independent fact-checkers.

Awash with the dosh. No gain without gravy train. 



Wednesday, 8 January 2025

Lies : Ed Adams Cover V2

I am still testing, but this is circling in on a final cover.

ketamine kamchatka kommentary

So much of what I now see in news feeds comes from doped sources. We get billionaires competing for clicks, making whacky pronouncements, and drug addled unstable leaders trying to rule the world as angry bullies.

"I'll take Kamchatka," as the Risk saying goes.

Meanwhile, I see a large proportion of online tittle-tattling around with idiot 'look at me' pronouncements about hair colouring and hyaluronic acid.

The rest of the journalists, with a few thinking exceptions, recycle whatever PR guff they are sent. 

This Is My Truth Tell Me Yours, as Aneurin Bevan, NHS creator said.

Tuesday, 7 January 2025

in this twilight redux

A further experiment. 

I decided to try tipping part of my created text into the AI I created some months ago. I was intrigued to see what kind of image it would generate. Spot the 'interpretations'. The one above is exactly from the words, but the one below is where I asked it to concentrate on the band. Maybe next, I should ask my iPhone to generate something.


Monday, 6 January 2025

In this twilight



This month's U3A creative writing challenge. Strangely it is also about event horizons.


I put it into this blog for safe keeping.


"

Keira and I often visited a pub in Camden called The World’s End. It truly suited us—a chaotic sanctuary where we immersed ourselves in rich, bitter ale, struggling to be heard above the overwhelming clamour. We both knew things were ending; our conversation was not merely challenging; it felt futile, so we treated those moments as sultry therapy.

 

Shrouded in half-light and neon slime at one end of the bar, a strobed doorway yawned open. It led to a staircase spiralling down into a place people whispered about with nervous grins. Some claimed it was the Gates of Hell, but we all knew it as the Underworld.

 

This twilight pulsed beneath the pub’s floorboards, where a growling bass shook ancient London ancestors’ dust loose. Metallic shrieks and overdriven wails seeped up the stairs like smoke, bleeding into the pub above. Below, the air was slick with heat and latex, bodies glistening as they writhed and preened under sickly light. The smell of sweat and solvent clung to every surface.

 

This wasn’t a club; it was a crucible. The stage—a sacrificial altar—hosted Rammsteinian bands wielding chainsaws, hammers, and scorched welding torches. Tools of construction became instruments of destruction, blasting their frequencies through towering Marshall stacks that could split the earth apart.

 

I don’t recall how Keira and I first found this. I’m not sure anyone did. One night, a band called The Ten Inch Screws took the stage, their sound so oppressive it felt like drowning in molten steel. Their lyrics—half-snarled, half-screamed—burned into my memory. They sang of a corrupted Earth’s slow demise, the death of reason, and humanity consuming itself in a blind frenzy until only ash remained.

 

Here’s what I can still recall:                                                                                          

 

“When logic rots and reason dies,

The earth will choke beneath black skies.

No gods to weep, no saviours born,

Just silence remains when the world is torn.”

 

Even now, I can hear the echoes from that night. The Underworld wasn’t just a club—it was a warning, a glimpse into the abyss. And we laughed as we danced ever closer to the edge.

 

And now, the unravelling free verse:

 

The sky splinters in muted chaos,

light bleeding softly into the void.

Certainty crumbles—

mountains bow, cities sigh,

oceans whisper secrets to ash-laden sky. 

 

Beside you, Keira, this world feels less fragile. 

Your hand in mine steadies the tremor 

of earth’s final breath. 

We stand at the edge of everything, 

watching it dissolve,

a quiet defiance against the inevitable. 

 

The end hums softly, 

not in fury but in quiet surrender. 

Your voice, steady in the fading glow, 

anchors me— 

a tether on this unravelling ride. 

Your warmth burns brighter 

than the dimming horizon. 

 

In this twilight, we do not grieve; 

we stand still together, 

wrapped in the weight of what is and what was.

It is not an end but a becoming, 

the last breath of a universe folding into itself.

"

Sunday, 5 January 2025

20 vision


I initially set up rashbre central as a quick experiment, and look at it now 20 years on, with an average of 261 posts per year, which has been progressively declining year on year. Of course, in the early days, there was limited competition from other platforms, but later, a whole slew of alternative platforms drifted in. 

I'll stick with my current one because it is largely unaffected by the likes of Facebook, Twitter, Instagram, Wotzap, usw.

I'm in awe of those who have taken up Substack, which feels as if it would be my next preferred choice, although I'm not sure I'd have enough to post, so I'll still stick with my un-monetisable rashbre central.




Saturday, 4 January 2025

Event-horizon?

I was amused to see an article in this week's Economist about the new 'Problem Generation'. It may well be clickbait, but it was about older folk who 'party-on'. 

The illustration amused me, and I'd just returned from a small gathering where we discussed having enough time to do stuff nowadays. It was a luxury ill-afforded when working 9 to 5 or whatever crazier hours our roles dictated. 

Now that Generation Alpha is worried about the return of five-day working weeks and the need to job-hop, it will be interesting to see how everything folds in, like some sort of event horizon.